Name: Pentax K-5 II
Brand: Pentax

Technical Specifications of Pentax K-5 II

Overall score

6.1

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Popularity

What it is: An indicator based on the number of reviews received by the camera.

When it matters: When you want to see which cameras attract the most buyer attention and review activity.

Sensor & Image

7.4

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Sensor size

What it is: The sensor format value describes the physical light-collecting area.

When it matters: When you shoot in more difficult lighting.

Importance: HIGH

Good value: Full frame or larger

Main camera megapixels

What it is: The effective resolution of the camera sensor, measured in megapixels (MP). A higher resolution can capture more detail.

When it matters: When you want high-resolution photos that allow more cropping or larger prints.

Importance: HIGH

Good value: At least 20 MP

Main camera pixel size

What it is: The physical size of individual pixels on the camera sensor, measured in micrometers. Larger pixels typically capture more light for better low-light performance.

When it matters: When you shoot in low light and want reduced noise in your photos.

Importance: HIGH

Good value: At least 3.5 µm

Base ISO

What it is: The native ISO setting that delivers the sensor’s standard balance of image quality and dynamic range.

When it matters: When you want the best native image quality and compare cameras at their most optimal sensitivity setting.

Importance: LOW

Max ISO

What it is: The ISO ceiling shows the highest sensor sensitivity available for darker scenes.

When it matters: When you shoot in more difficult lighting.

Importance: MEDIUM

Good value: At least ISO 25,600

Photo Features

6.2

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Lens mount

What it is: The mechanical and electronic interface that determines which interchangeable lenses the camera can use.

When it matters: When lens availability, upgrade options, and long-term system compatibility are central to your buying decision.

Importance: LOW

Pentax KAF2

Built-in focus motor

What it is: Indicates whether the camera body includes an internal autofocus motor for driving compatible lenses.

When it matters: When you plan to use older or budget lenses that depend on the camera body for autofocus drive.

Importance: LOW

N. of focus points

What it is: The total number of selectable autofocus points available for positioning and tracking focus.

When it matters: When you want more flexibility in placing focus precisely or tracking subjects across the frame.

Importance: HIGH

Good value: At least 200 points

Phase-detection autofocus (photos)

What it is: Autofocus technology that measures phase differences to lock focus quickly and accurately for still photography.

When it matters: When you want faster and more reliable autofocus for still photos, especially with moving subjects.

Importance: HIGH

AF tracking

What it is: An autofocus mode that continuously follows a moving subject to keep it sharp during shooting.

When it matters: When your subjects move unpredictably and you need the camera to keep focus on them automatically.

Importance: MEDIUM

Video & Audio

4.7

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Max video resolution

What it is: The highest video resolution the camera can record, defining the maximum level of captured image detail.

When it matters: When you care about recording the highest level of detail for cropping, editing, or future-proof video work.

Importance: HIGH

Good value: At least 3840 px

Video bitrate

What it is: The amount of video data recorded per second, which affects file size and potential recording quality.

When it matters: When you compare potential video quality and want fewer compression artifacts in demanding scenes.

Importance: MEDIUM

Good value: At least 200 Mbps

Video bit depth

What it is: The number of bits used per color channel in recorded video, affecting gradation smoothness and editing flexibility.

When it matters: When you color grade video and want smoother gradients with fewer banding issues.

Importance: MEDIUM

Good value: At least 10-bit

Video chroma subsampling

What it is: The color sampling format used in video recording, indicating how much color detail is retained relative to brightness detail.

When it matters: When color grading, keying, or serious post-production work is important in your video workflow.

Importance: LOW

Video codecs

What it is: The video compression formats the camera can use when recording, affecting compatibility, efficiency, and workflow.

When it matters: When compatibility, editing performance, and file efficiency matter in the way you handle video.

Importance: LOW

Motion JPEG

Display & Design

5.5

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Type

What it is: The camera type identifies the overall design, such as mirrorless, DSLR, compact, or bridge.

When it matters: When you want a camera style that matches how you shoot, carry, and swap lenses.

Importance: LOW

dslr

Weight

What it is: The total weight of the camera body, which affects comfort while carrying and shooting.

When it matters: When you carry the camera all day, travel often, or prefer a lighter setup.

Importance: MEDIUM

Good value: 500 g or less

Width

What it is: The width of the camera body, measured from side to side.

When it matters: When compact packing, grip comfort, or bag fit matters to you.

Importance: LOW

Height

What it is: The height of the camera body, measured from top to bottom.

When it matters: When you care about how compact the camera feels in a bag or in hand.

Importance: LOW

Thickness

What it is: The depth of the device profile, excluding the camera bump unless specified.

When it matters: When you prefer a sleek, slim profile that slides easily into tight pockets.

Importance: LOW

Battery & Power

8.9

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Battery life (CIPA)

What it is: The official battery endurance estimate measured under CIPA test methodology, usually expressed in shots per charge.

When it matters: When you need realistic expectations for how many shots you can take before carrying a spare battery.

Importance: MEDIUM

Good value: At least 400 shots

Battery capacity

What it is: The amount of electric charge the battery can hold, measured in milliampere-hours (mAh).

When it matters: When you want a general idea of how large the battery is physically.

Importance: LOW

Good value: At least 1,500 mAh

Removable battery

What it is: Indicates whether the camera battery can be removed and replaced by the user.

When it matters: When you want to swap batteries quickly during a long shoot or replace an aging battery.

Importance: LOW

USB Power Delivery (PD)

What it is: Support for the USB Power Delivery standard for higher-power charging or external power supply over USB-C.

When it matters: When you want faster USB-C charging or the ability to power the camera externally for longer sessions.

Importance: LOW

Connectivity & Storage

2.6

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Wi-Fi connectivity

What it is: Indicates whether the camera has built-in Wi-Fi for image transfer, remote control, or network features.

When it matters: When you want to transfer photos wirelessly, control the camera from a phone, or use supported network workflows.

Importance: LOW

Wi-Fi version

What it is: The specific generation of Wi-Fi standards supported (e.g., Wi-Fi 6, Wi-Fi 7), determining maximum speed and efficiency.

When it matters: When you have a high-speed router and want faster downloads with less congestion.

Importance: LOW

N/A

Bluetooth connectivity

What it is: Indicates whether the camera supports Bluetooth for pairing, remote control, or file transfer.

When it matters: When you want quick wireless pairing with a phone, remote control, or location syncing.

Importance: LOW

Bluetooth version

What it is: The Bluetooth version supported by the camera for wireless pairing and low-power connections.

When it matters: When you want more efficient wireless pairing, better range, or newer Bluetooth features.

Importance: LOW

N/A

USB Type-C

What it is: A modern, reversible connector used for charging, data transfer, and sometimes audio or video output.

When it matters: When you want a reversible cable that handles charging, data, and accessories universally.

Importance: LOW

Pentax K-5 II vs the average camera

Why is Pentax K-5 II better than the average camera?

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In-body stabilization
Pentax K-5 II supports in-body stabilization, the average camera does not.
What it is: A stabilization system that physically moves the image sensor to reduce shake during handheld shooting.
When it matters: When you often shoot handheld and want sharper results at slower shutter speeds without relying only on lens stabilization.
Importance: MEDIUM
Pentax K-5 II supports in-body stabilization, the average camera does not.
Phase-detect AF for photos
Pentax K-5 II supports phase-detection autofocus for photos, the average camera does not.
What it is: Autofocus technology that measures phase differences to lock focus quickly and accurately for still photography.
When it matters: When you want faster and more reliable autofocus for still photos, especially with moving subjects.
Importance: HIGH
Pentax K-5 II supports phase-detection autofocus for photos, the average camera does not.
410 shots more shots per charge
Pentax K-5 II has longer battery life than the average camera (740 shots vs 330 shots). The average camera delivers 330 shots per charge.
What it is: The official battery endurance estimate measured under CIPA test methodology, usually expressed in shots per charge.
When it matters: When you need realistic expectations for how many shots you can take before carrying a spare battery.
Importance: MEDIUM
Good value: At least 400 shots
Pentax K-5 II has longer battery life than the average camera (740 shots vs 330 shots). The average camera delivers 330 shots per charge.740 shots vs 330 shots
Has microphone input
Pentax K-5 II has microphone input, the average camera does not.
What it is: Indicates whether the camera has a microphone input for connecting an external mic.
When it matters: When you record video and want better audio than the built-in microphones can provide.
Importance: LOW
Pentax K-5 II has microphone input, the average camera does not.
Sensor cleaning system
Pentax K-5 II includes a sensor cleaning system, the average camera does not.
Ultrasonic vibration cleaning.
What it is: A built-in mechanism designed to remove or reduce dust particles from the image sensor surface.
When it matters: When you change lenses often and want to reduce the chance of dust spots appearing on your images.
Importance: LOW
Pentax K-5 II includes a sensor cleaning system, the average camera does not.
71 Mbps higher video bitrate
Pentax K-5 II has a higher video bitrate than the average camera (101 Mbps vs 30 Mbps). The average camera records at 30 Mbps.
What it is: The amount of video data recorded per second, which affects file size and potential recording quality.
When it matters: When you compare potential video quality and want fewer compression artifacts in demanding scenes.
Importance: MEDIUM
Good value: At least 200 Mbps
Pentax K-5 II has a higher video bitrate than the average camera (101 Mbps vs 30 Mbps). The average camera records at 30 Mbps.101 Mbps vs 30 Mbps
1.44 µm larger sensor pixels
Pentax K-5 II has larger sensor pixels than the average camera (4.8 µm vs 3.34 µm). The average sensor pixel size is 3.34 µm.
What it is: The physical size of individual pixels on the camera sensor, measured in micrometers. Larger pixels typically capture more light for better low-light performance.
When it matters: When you shoot in low light and want reduced noise in your photos.
Importance: HIGH
Good value: At least 3.5 µm
Pentax K-5 II has larger sensor pixels than the average camera (4.8 µm vs 3.34 µm). The average sensor pixel size is 3.34 µm.4.78 µm vs 3.34 µm
More complete chroma subsampling
Pentax K-5 II supports better video chroma subsampling than the average camera (4:2:2 vs 4:2:0). The average camera supports 4:2:0 video chroma subsampling.
What it is: The color sampling format used in video recording, indicating how much color detail is retained relative to brightness detail.
When it matters: When color grading, keying, or serious post-production work is important in your video workflow.
Importance: LOW
Pentax K-5 II supports better video chroma subsampling than the average camera (4:2:2 vs 4:2:0). The average camera supports 4:2:0 video chroma subsampling.4:2:2 vs 4:2:0
Better viewfinder type
Pentax K-5 II uses a more advanced viewfinder than the average camera (optical vs none).
17.9% higher magnification
Pentax K-5 II has a higher viewfinder magnification than the average camera (0.9x vs 0.78x). The average camera has a viewfinder magnification of 0.78x.
2 more customizable buttons
Pentax K-5 II has more customizable buttons than the average camera (2 vs 0). The average camera offers 0 customizable buttons.
Sensor cleaning system
Pentax K-5 II includes a sensor cleaning system, the average camera does not.
1.44 µm larger sensor pixels
Pentax K-5 II has larger sensor pixels than the average camera (4.8 µm vs 3.34 µm). The average sensor pixel size is 3.34 µm.
1.7 points higher DxOMark Landscape score
Pentax K-5 II has a higher DxOMark landscape score than the average camera (14.1 points vs 12.4 points). The average camera scores 12.4 points.
25900 ISO higher extended sensitivity limit
Pentax K-5 II has a higher expanded ISO than the average camera (51200 ISO vs 25300 ISO). The average camera reaches an expanded ISO of 25300 ISO.
6400 ISO higher maximum sensitivity limit
Pentax K-5 II has a higher max ISO than the average camera (12800 ISO vs 6400 ISO). The average camera reaches a max ISO of 6400 ISO.
9 points higher DxOMark sensor score
Pentax K-5 II has a higher DxOMark sensor score than the average camera (82 points vs 73 points). The average camera has a DxOMark sensor score of 73 points.
393 points higher DxOMark Sports score
Pentax K-5 II has a higher DxOMark sports score than the average camera (1235 points vs 842 points). The average camera has a DxOMark sports score of 842 points.
0.8 points higher DxOMark Portrait score
Pentax K-5 II has a higher DxOMark portrait score than the average camera (23.8 points vs 23 points). The average camera scores 23 points.
In-body stabilization
Pentax K-5 II supports in-body stabilization, the average camera does not.
Phase-detect AF for photos
Pentax K-5 II supports phase-detection autofocus for photos, the average camera does not.
Built-in AF motor
Pentax K-5 II has a built-in focus motor, the average camera does not.
1.3 fps faster mechanical burst
Pentax K-5 II has a faster mechanical burst rate than the average camera (7 fps vs 5.7 fps). The average camera shoots at 5.7 fps.
Has microphone input
Pentax K-5 II has microphone input, the average camera does not.
71 Mbps higher video bitrate
Pentax K-5 II has a higher video bitrate than the average camera (101 Mbps vs 30 Mbps). The average camera records at 30 Mbps.
More complete chroma subsampling
Pentax K-5 II supports better video chroma subsampling than the average camera (4:2:2 vs 4:2:0). The average camera supports 4:2:0 video chroma subsampling.
Built-in timelapse
Pentax K-5 II includes timelapse capture, the average camera does not.
410 shots more shots per charge
Pentax K-5 II has longer battery life than the average camera (740 shots vs 330 shots). The average camera delivers 330 shots per charge.
740 mAh larger battery capacity
Pentax K-5 II has a higher battery capacity than the average camera (1860 mAh vs 1120 mAh). The average camera has a battery capacity of 1120 mAh.

Why is Pentax K-5 II worse than the average camera?

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92.4% heavier
Pentax K-5 II is heavier than the average camera (760 g vs 395 g). The average camera weighs 395 g.
23.1 mm taller body
Pentax K-5 II is taller than the average camera (97 mm vs 73.9 mm). The average camera has a height of 73.9 mm.
11.1 mm wider
Pentax K-5 II is wider than the average camera (131 mm vs 119.9 mm). The average camera has a width of 119.9 mm.
27 mm thicker
Pentax K-5 II is thicker than the average camera (73 mm vs 46 mm). The average camera has a thickness of 46 mm.
1 older
Pentax K-5 II is older than the average camera (2012 vs 2013). The average camera was released in 2013.
October 2012
Worse low-light autofocus
Pentax K-5 II has a worse low-light AF sensitivity than the average camera (-3 EV vs -4 EV). The average camera reaches a low-light AF sensitivity of -4 EV.
12 fewer AF points
Pentax K-5 II has fewer focus points than the average camera (11 vs 23). The average camera offers 23 focus points.
No continuous video AF
Pentax K-5 II does not support continuous autofocus in video, the average camera does.
manual focus only
1 fewer microphones
Pentax K-5 II has fewer microphones than the average camera (1 vs 2). The average camera has 2 microphones.
Older HDMI version
Pentax K-5 II uses HDMI 1.3, while the average camera uses HDMI 1.4.
92.4% heavier
Pentax K-5 II is heavier than the average camera (760 g vs 395 g). The average camera weighs 395 g.
What it is: The total weight of the camera body, which affects comfort while carrying and shooting.
When it matters: When you carry the camera all day, travel often, or prefer a lighter setup.
Importance: MEDIUM
Good value: 500 g or less
Pentax K-5 II is heavier than the average camera (760 g vs 395 g). The average camera weighs 395 g.760 g vs 395 g
No continuous video AF
Pentax K-5 II does not support continuous autofocus in video, the average camera does.
manual focus only
What it is: The ability of the camera to keep adjusting focus automatically while video recording is in progress.
When it matters: When you film while subjects or camera distance keep changing and manual refocusing is impractical.
Importance: LOW
Pentax K-5 II does not support continuous autofocus in video, the average camera does.
1 fewer microphones
Pentax K-5 II has fewer microphones than the average camera (1 vs 2). The average camera has 2 microphones.
What it is: The number of built-in microphones used to capture audio while recording video.
When it matters: More built-in microphones can capture broader, clearer sound when you record without an external microphone.
Importance: LOW
Good value: At least 2 microphones
Pentax K-5 II has fewer microphones than the average camera (1 vs 2). The average camera has 2 microphones.1 vs 2
Worse low-light autofocus
Pentax K-5 II has a worse low-light AF sensitivity than the average camera (-3 EV vs -4 EV). The average camera reaches a low-light AF sensitivity of -4 EV.
What it is: The lowest light level at which the autofocus system is rated to work reliably.
When it matters: When you shoot in dim environments and need autofocus that still locks confidently after dark.
Importance: MEDIUM
Pentax K-5 II has a worse low-light AF sensitivity than the average camera (-3 EV vs -4 EV). The average camera reaches a low-light AF sensitivity of -4 EV.-3 vs -4
23.1 mm taller body
Pentax K-5 II is taller than the average camera (97 mm vs 73.9 mm). The average camera has a height of 73.9 mm.
What it is: The height of the camera body, measured from top to bottom.
When it matters: When you care about how compact the camera feels in a bag or in hand.
Importance: LOW
Pentax K-5 II is taller than the average camera (97 mm vs 73.9 mm). The average camera has a height of 73.9 mm.97 mm vs 73.9 mm
12 fewer AF points
Pentax K-5 II has fewer focus points than the average camera (11 vs 23). The average camera offers 23 focus points.
What it is: The total number of selectable autofocus points available for positioning and tracking focus.
When it matters: When you want more flexibility in placing focus precisely or tracking subjects across the frame.
Importance: HIGH
Good value: At least 200 points
Pentax K-5 II has fewer focus points than the average camera (11 vs 23). The average camera offers 23 focus points.11 vs 23
Older HDMI version
Pentax K-5 II uses HDMI 1.3, while the average camera uses HDMI 1.4.
What it is: The HDMI standard version supported by the camera's HDMI output.
When it matters: When you care about compatibility with external monitors, recorders, or higher-bandwidth video output.
Importance: LOW
Pentax K-5 II uses HDMI 1.3, while the average camera uses HDMI 1.4.1.3 vs 1.4
11.1 mm wider
Pentax K-5 II is wider than the average camera (131 mm vs 119.9 mm). The average camera has a width of 119.9 mm.
What it is: The width of the camera body, measured from side to side.
When it matters: When compact packing, grip comfort, or bag fit matters to you.
Importance: LOW
Pentax K-5 II is wider than the average camera (131 mm vs 119.9 mm). The average camera has a width of 119.9 mm.131 mm vs 119.9 mm

Connectivity & Storage

Expert reviews

ephotozine.com

19/11/2012

Summary of the review

Pentax K-5 II DSLR Review

The ePHOTOzine review characterizes the Pentax K-5 II as a durable, weather-sealed DSLR offering exceptional build quality, a 100% viewfinder, and an effective, upgraded -3 EV low-light autofocus system. It delivers high-resolution images with low noise at high ISOs and supports 7fps shooting, making it a robust, high-value tool for photography in challenging conditions. However, the analysis notes that the camera is largely unchanged from its predecessor, offering only incremental upgrades with minimal improvements in overall image quality, resulting in a potentially lower value proposition. Cons include slightly slow, older-generation menu navigation, an awkward SD card door, and a price premium over the nearly identical, previous-generation K-5, according to the ePHOTOzine review.

amateurphotographer.com

12/01/2013

Summary of the review

Pentax K-5 II review

The Amateur Photographer review highlights the Pentax K-5 II as a robust, weather-sealed DSLR featuring a 16.3-megapixel APS-C sensor that delivers exceptional dynamic range and low-light performance. Key strengths include a high-quality 100% viewfinder, in-body Shake Reduction, and an improved SAFOX X autofocus system capable of operating in very low light (-3EV). Conversely, the camera is limited by outdated 1080p 25fps video recording in Motion JPEG format, which lacks continuous autofocus. Further drawbacks include a fixed, non-tilting rear screen, a single SD card slot, and a relatively slow 1/180sec flash sync speed.

whatdigitalcamera.com

12/02/2013

Summary of the review

Pentax K-5 II review

The Pentax K-5 II, as reviewed on What Digital Camera, demonstrates improved exposure consistency and excellent auto white balance performance, particularly in daylight and challenging artificial lighting. The camera’s image quality is highlighted as a strength, showing significant, reliable accuracy in exposure compared to previous models. What Digital Camera Conversely, the 18-135mm kit lens is noted for having pronounced chromatic aberration at the telephoto end and consistent corner softness. Additionally, the review found that, despite overall improvements, the metering system can still produce occasional, unexpected exposure inconsistencies. What Digital Camera

pentaxforums.com

21/11/2012

Summary of the review

Pentax K-5 II Review

The Pentax K-5 II is a reliable, incremental DSLR upgrade featuring a robust magnesium alloy chassis, extensive weather sealing, and the improved SAFOX X autofocus system for superior low-light performance. Its 16.3-megapixel sensor provides exceptional dynamic range and high ISO performance, complemented by an air-gapless LCD screen and 100% viewfinder coverage. Conversely, the camera is hindered by the aging PRIME II engine, resulting in sluggish operational speeds for image review and menu navigation. While capable of 7 fps, it suffers from outdated video functionality and an antiquated menu interface.

photoinfos.com

10/01/2013

Summary of the review

Pentax K-5 II DSLR APS-C Sensor with 16 MP: Test Review

The Pentax K-5 II is a highly capable 16.3-megapixel APS-C digital single-lens reflex camera (DSLR) released by Ricoh in 2012 as a refined successor to the original K-5. This comprehensive review highlights that the camera successfully eliminated previous flaws—such as sensor-filter spotting and faulty lens lock buttons—while providing an excellent 16-megapixel sensor that offers great dynamic range and high-quality image production. It stands out as an exceptionally rugged, well-built, and weather-sealed choice that delivers clean image files even at multi-digit ISO settings up to ISO 3200 when paired with a good RAW converter. Additionally, the reviewer points out the advantage of its backwards compatibility, allowing photographers to easily use old manual Pentax-M lenses alongside the body's integrated Shake Reduction system. However, the review details a few notable shortcomings, particularly for modern usage. The most significant ergonomic drawback is its fixed 3-inch LCD screen, which lacks the articulating or tilting capabilities found on newer alternatives like the Pentax K-70. Furthermore, its video capabilities are severely outdated, topping out at basic 1080p Full HD resolution at a time when modern content creators...

chip.de

05/12/2012

Summary of the review

Pentax K-5 II vs K-5 IIs Comparison Review: Want to know more about the differences between the K-5 II and the K-5 IIs (without a low-pass filter)?

Pentax K-5 II and K-5 IIs Overview The CHIP review outlines the launch and performance of the Pentax K-5 II and Pentax K-5 IIs, two rugged DSLR successors to the popular original K-5. The single, critical technical differentiator between these twin cameras is the inclusion of an anti-aliasing (optical low-pass) filter on the standard K-5 II, which is completely omitted on the premium K-5 IIs variant. In terms of pricing, the standard K-5 II enters the market at approximately €960, while the filterless K-5 IIs commands a notably higher price tag of roughly €1,200 for the camera body alone. YouTube ·Ricoh Imaging Pros, Cons, and Key Differences The primary pro of the Pentax K-5 IIs is its ability to produce superior image sharpness and exceptional clarity in fine textures, making it highly attractive to landscape and outdoor photographers. However, its main con is a heightened vulnerability to moiré patterning and aliasing artifacts when shooting repeating artificial patterns, textiles, or architectural elements. Conversely, the standard K-5 II serves as a more reliable general-purpose camera by using its filter to actively prevent...

chip.de

06/02/2013

Summary of the review

Pentax K-5 II (DSLR under 1,000 Euros) Review

Review Overview The Pentax K-5 II is a robust digital single-lens reflex (DSLR) camera designed for demanding photographers, acting as a refined successor to the original K-5 with a retail price of around €960 for the body alone. While maintaining a 16-megapixel APS-C sensor and the same physical dimensions as its predecessor, it introduces a newly developed "Prime II" image processor that drastically improves low-light performance. Specifically, visual noise at high sensitivities sees a substantial upgrade; at ISO 3,200, the camera records a visual noise value (VN1) of just 2.8 compared to the original model's 4.6. Built like a tank, the camera stands out in its price class due to its magnesium alloy shell, stainless steel chassis, and 77 environmental seals protecting it against dust and moisture. It further boasts a 100% field-of-view optical viewfinder, high customization through dual control dials, an electronic dual-axis horizon level, and a highly reliable 11-point autofocus system when using the viewfinder. Pros and Cons

lesnumeriques.com

27/11/2012

Summary of the review

Pentax K-5 II Review: Rugged and Compact Expert DSLR

The Pentax K-5 II is a compact, robust DSLR tailored for expert photographers who prioritize durable build quality and highly effective image capture. The camera features an outstanding 16-megapixel APS-C CMOS sensor that delivers exceptional JPEG quality up to ISO 1600, retaining excellent usability even at ISO 3200 and 6400. Key strengths include its class-leading, weather-sealed chassis, advanced customizable ergonomic interface, mechanical sensor-shift stabilization, and an upgraded autofocus mechanism that tracks efficiently in low-light conditions. Additionally, its bundled 18-55mm WR kit lens provides unique weather-resistant protection and solid sharpness when stopped down, making it highly reliable for outdoor shooting. However, the camera falls short for multimedia users due to its outdated and heavily restricted video capabilities, causing it to lose a perfect five-star rating. Video processing is limited by an inefficient, space-heavy Motion JPEG (Mjpeg) codec, default 720p recording, and a messy, monophonic built-in microphone. It also lacks a dedicated physical video recording button, forcing users to switch dial modes to begin filming. Photography performance has minor setbacks as well, including slow Live View autofocus, delayed processing speeds when lens...

01net.com

05/03/2013

Summary of the review

Pentax K5 II Review: A Serious but Spartan DSLR Camera

The 01net review positions the Pentax K-5 II as a traditional, highly robust DSLR designed for serious, adventurous photographers who already own compatible lenses. On the positive side, the camera delivers excellent image quality with outstanding digital noise management in low-light environments, safely reaching up to 3200 or 6400 ISO. Built like a "rock" out of a magnesium alloy shell, it stands out for its professional-grade weather-sealing (tropicalization) against water and dust. Its high-end photographic specifications include a fast 7 frames per second burst rate, a 1/8000e second shutter speed, and a viewfinder with 100% coverage. Furthermore, the specialized "S" version (K-5 IIs) drops the anti-aliasing filter to provide an even sharper, higher-definition image clarity. Conversely, the camera suffers from an aging technical foundation and a severely lagging video mode characterized by poor encoding quality, substandard integrated sound, and uncooperative ergonomics. It is heavily criticized for its austere and dry menu system and its complete omission of popular creative features like panorama stitching or HDR modes. Hardware limitations further hold it back from true professional status, notably due to a...

01net.com

01/10/2012

Summary of the review

Pentax K-5 II: The Solid Body for Serious Photographers

Performance and Core Specifications The Pentax K-5 II is a rugged DSLR camera featuring a 16.3-megapixel APS-C CMOS sensor and an updated autofocus system that enhances tracking on moving subjects and accuracy in low-light environments. Geared toward serious photographers, the camera relies on its proven image quality and professional-grade specifications. Its standout features include a high-quality 100% optical viewfinder, an expansive ISO sensitivity range stretching from 80 up to 51,200, a fast maximum shutter speed of 1/8000 seconds, and a continuous shooting rate of 7 frames per second. Additionally, it boasts exceptional weatherproofing, incorporating 77 seals to provide full environmental protection for outdoor shooting. A specialized variation, the "K-5 II S", is also available without an optical low-pass filter to maximize image sharpness. Pros and Cons Pros: The camera delivers an attractive price point alongside proven image quality and a highly durable, weather-sealed chassis. Its professional capabilities—such as the 1/8000 second shutter speed, 7 fps burst rate, and mechanical sensor-shift image stabilization—provide strong performance for traditional still photography. Cons: On the downside, the camera suffers from an aging technical foundation...

lesnumeriques.com

19/11/2012

Summary of the review

Pentax K-5 II: Does filterless photography harm image quality?

The initial laboratory review by Les Numériques evaluates the side-by-side performance of the standard Pentax K-5 II and its filterless counterpart, the Pentax K-5 IIs. Testing confirmed that removing the low-pass filter gives the K-5 IIs a distinct pro in image sharpness, rendering finer details like contour lines, graphics card circuitry, book textures, and bottle logos with far greater precision than the standard version. Furthermore, this omission did not negatively impact noise management, as ISO sensitivity handling and noise reduction algorithms remained identically stable across both models. However, this lack of filtration presents a notable con regarding artifacts. The K-5 IIs proved significantly more susceptible to color moiré, creating unnatural colored patterns on complex details, such as component pins and book covers. The reviewer notes that while the standard K-5 II effectively mitigates this interference at the cost of a slightly softer image, the moiré generated by the K-5 IIs requires deliberate, photo-by-photo software corrections during RAW post-processing.

camerarace.com

01/11/2012

Summary of the review

Pentax K-5 II - Review and Technical Specifications

The Pentax K-5 II is a robust DSLR tailored for street and sports photography, featuring a durable, weather-sealed magnesium alloy body and a 100% field-of-view optical viewfinder. Its 16.3-megapixel sensor delivers excellent image quality, characterized by low noise and high dynamic range, while the upgraded SAFOX X module provides improved, reliable low-light autofocus down to -3EV. However, the camera suffers from basic 1080p video capabilities and lacks a articulating screen, limiting its versatility in multimedia applications. Further limitations include noticeable image review lag, potential overexposure in certain scenarios, and reduced processing speed when using in-camera distortion correction.

priice.fr

24/01/2014

Summary of the review

Pentax K-5 II - Price.fr

The Pentax K-5 II is a compact and durable APS-C DSLR camera that highly prioritises robust build quality and field usability. A major standout feature is its weather-sealed (tropicalised) body, making it an excellent choice for outdoor photographers facing sand or rain. Performance-wise, the camera delivers fast startup times and highly responsive shot-to-shot performance. Its 16.3-megapixel CMOS sensor handles noise exceptionally well up to ISO 3200 in JPEG format, ensuring sharp details are preserved while effectively reducing chromatic aberrations. Additionally, the autofocus system performs reliably even in challenging low-light environments, and the clear 3-inch screen offers accurate colour reproduction. However, the camera has notable limitations, particularly regarding its compact body size, which may prove uncomfortable for photographers with larger hands. The standard kit lens is also underwhelming, yielding only mediocre sharpness. While the camera features a Full HD video mode, it is not enabled by default, lacks a dedicated physical video recording button, and outputs heavy, difficult-to-edit files. Video quality is further hampered by overly aggressive contrast and disappointing mono audio capture, though a dedicated microphone input is included to...

forbes.com.mx

20/06/2014

Summary of the review

Pentax K-5 II Review: A Camera Built for Anything

The Pentax K-5 II is a robust and balanced DSLR camera that marks the brand's return to the Mexican market under Ricoh, targeting users looking for durable equipment. The reviewer praises its exceptional physical construction, noting that its body feels much sturdier than competitors from Canon or Nikon, with highly accessible, professional-grade control placements and exposure dials. Performance-wise, its 16.3 MP APS-C CMOS sensor excels in low-light environments, producing minimal image noise even at ISO 6,400, which allows photographers to use faster shutter speeds without sacrificing image quality. However, the camera falls short due to significant compatibility issues and a lack of innovation compared to its rivals. A major drawback is its proprietary RAW file system, which cannot be opened by standard industry software like Adobe Photoshop, Lightroom, or Bridge, forcing users into unfamiliar, included software. Additionally, it features a restrictive fixed display screen and lacks a well-established online support presence in Mexico. Ultimately, because Pentax lenses and accessories lack broad forward-compatibility within an expanding professional ecosystem, the reviewer notes that beginners looking to scale up their careers would eventually...

lmscope.com

22/03/2013

Summary of the review

The Pentax K-5 IIs DSLR camera on the microscope

The LMScope review highlights the Pentax K-5 IIs as an excellent choice for photomicrography, offering exceptional 42-bit image quality, a low-vibration shutter, and high-ISO capabilities up to 51,200. Ideal for microscope adapters, the camera supports full HD video and HDMI live view, providing precise color reproduction for demanding imaging tasks. Conversely, the review notes significant drawbacks for professional use, specifically a strict 5-minute limit on Live View and the lack of official manufacturer-supported tethering software. While PK_Tether provides a third-party alternative, the absence of native studio software makes it less convenient than competitors.

cameramarket.es

Sin fecha (catálogo)

Summary of the review

Pentax K-5 II: The Perfect DSLR Choice for Any Professional Photographer

The Pentax K-5 II is a robust, professional-grade DSLR camera available in excellent refurbished condition for €369.99 through Camera Market. Built specifically to handle extreme outdoor shooting environments, it features a highly durable magnesium alloy body with extensive dust and weather sealing. Internally, the camera is powered by a 16.3-megapixel CMOS sensor and an advanced image processor that deliver excellent sharpness, color accuracy, and dynamic range even when pushing the maximum ISO of 51,200 in low-light settings. Additional hardware highlights include a bright, clear viewfinder, an 11-point autofocus system, built-in interval shooting, and comprehensive physical connectivity—such as dedicated headphone and microphone jacks for video production. Pros and Cons Pros: The camera stands out for its weather-sealed magnesium body, superb dynamic range, and strong low-light performance. It offers excellent value for the price and comes fully inspected across 28 functional check-points, carrying a 6-month baseline warranty and a 14-day risk-free return policy. Cons: While it supports video recording with robust audio monitoring interfaces, the internal autofocus hardware is limited to an older 11-point layout, which may underperform compared to newer mirrorless...

tomshw.it

01/04/2013

Summary of the review

Pentax K-5 II, DSLR review: second time's a charm!

The Tom's Hardware review evaluates the Pentax K-5 II as a highly capable and rugged DSLR that delivers excellent photographic performance despite offering minimal physical updates over its predecessor. The core strength of this updated version is the integration of the new SAFOX X autofocus system, which successfully fixes the slow autofocus issues of the original model and dramatically increases focus accuracy and speed, especially when shooting in low-light environments. Additionally, the camera introduces a new "gapless" LCD screen that removes the air layer between the panel and protective glass, reducing reflections and greatly improving visibility when shooting under bright, direct sunlight. However, the review notes that the camera represents only the bare minimum effort in terms of an generational upgrade, maintaining the exact same body design and overall photographic philosophy. A major drawback highlighted is Pentax's slow pace of evolution within its DSLR segment compared to mainstream competitors, which has left dedicated fans waiting for a full-frame alternative. Ultimately, while the camera is praised for its exceptional build quality and robust performance, it offers very few aesthetic changes, meaning...

shoot.be

18/12/2012

Summary of the review

Review: Pentax K-5 II - Shoot.be

The Pentax K-5 II is a rugged and highly capable APS-C DSLR praised for its exceptional build quality and robust outdoor performance. Key pros highlighted in reviews include its solid magnesium alloy body with extensive weather-sealing, excellent ergonomics with a highly intuitive physical button layout, and a bright optical viewfinder providing 100% field coverage. Most notably, the camera introduces the upgraded SAFOX X autofocus system, which delivers outstanding low-light AF performance capable of locking focus quickly in near-total darkness. Combined with superb dynamic range, effective in-body image stabilisation, and a remarkably quiet shutter mechanism, it stands out as an excellent, budget-friendly tool for still and outdoor photography. However, the camera suffers from several notable cons, particularly regarding its multimedia and processing speeds. Its Full HD video mode is significantly outdated, relying on an inefficient Motion JPEG storage format, lacking full-time autofocus during recording, and omitting a dedicated movie shooting button. Built-in software features like the extensive multi-shot HDR capabilities and lens distortion corrections heavily burden the processor, resulting in lengthy write delays of up to 20 seconds per shot when...

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