Fujifilm GFX100S II Review | 108 Data compared

The Fujifilm GFX100S II is a compact 102-megapixel medium-format camera that pairs a highly detailed 44mm x 33mm sensor with a significantly upgraded AI-assisted autofocus system derived from Fujifilm's X-series crop-sensor cameras. It features an improved pixel structure that lowers its base ISO to 80 for enhanced dynamic range and highlight recovery, while offering a noticeably more responsive user experience, a higher-resolution 5.7MP EVF, and a lightweight 883g body. It supports 4K video at 30fps with advanced professional tools like waveforms, Flog-2, and internal recording to an external SSD, though its performance is constrained to dual UHS-II SD card slots rather than ultra-fast CFexpress. The primary advantages of the camera are its unbeatable medium-format image quality, best-in-class autofocus within its sensor category, 8 stops of in-body image stabilization (IBIS), and exceptional portability for travel photography. However, its core disadvantages include an ongoing autofocus "false positives" flaw where the EVF mistakenly confirms sharp focus on subjects like an animal's eye while focusing elsewhere, mushy control buttons, and a stiff, less responsive focus joystick. Furthermore, because its autofocus speed and tracking capabilities...

The ePHOTOzine review by Will Cheung highlights the Fujifilm GFX100S II as a highly capable, professional-tier medium-format camera offering exceptional image quality with a 102MP sensor and 8-stop in-body image stabilization at a competitive price point. Key pros include a lightweight body with improved handling and a high-resolution 5.76-million-dot electronic viewfinder (EVF). Conversely, the review identifies that the large-format lenses are quite heavy, and the immense 102MP files demand significant computing power and storage for post-processing. Additionally, although it has improved autofocus, it remains better suited for studio or landscape work rather than fast-action sports shooting, particularly with some burst-rate limitations, as noted in the analysis.

The Fujifilm GFX100S II is a professional 102-megapixel medium-format camera body priced at $4,999, which makes high-resolution medium-format photography exceptionally accessible. Built with a rugged, weather-sealed chassis and a comfortable BISHAMON-TEX™ grip, it provides an ergonomic, "brick-like" feel that mimics the weight and size of a full-frame mirrorless camera. The reviewer tested it on portrait shoots—including a session with jazz legend Ron Carter—using the GF 55mm f/1.7R WR and GF 45-100mm f/4 R LM OIS WR lenses. The camera stands out for its spectacular image quality, dynamic range, and expansive editing latitude in shadows and highlights, alongside 20 built-in film simulations like Reala Ace. This combination delivers sharp details, excellent subject-to-background separation, and a distinct, natural filmic look. Despite its remarkable performance, the review highlights several distinct drawbacks and design quirks. Upgrading users face a learning curve due to inconsistent button layouts between Fujifilm models, particularly the total omission of a D-pad, and top-plate buttons that are awkward to access while looking through the electronic viewfinder (EVF). Additionally, the EVF feels sluggish and less true-to-life when compared to full-frame rivals...

The Fujifilm GFX100S II is a 102-megapixel medium-format mirrorless camera that packs 99% of the capabilities of the flagship GFX100 II into a more compact body and at a more affordable launch price. The review highly praises its breathtaking image sharpness, immense dynamic range for shadow and highlight recovery, and excellent low-light performance backed by an impressive 8 EV in-body image stabilization system. It features improved ergonomics via a secure "BISHAMON-TEX" textured grip, a legible top LCD screen, a responsive 4:3 touchscreen, and added subject-detection autofocus for vehicles, animals, and birds. However, while the upgraded autofocus and 7 fps burst rate are significantly faster than older medium-format systems, they remain noticeably slower than modern APS-C or full-frame action cameras, making it frustrating for fast-moving subjects like sports, street photography, or active children. Beyond the autofocus speed limitations, the camera suffers from slow SD card writing and file playback speeds due to the omission of a CFexpress card slot. Fujifilm also controversially excludes a standalone external battery charger, forcing users to charge via a USB-C cable that renders the camera unusable...

Paul Newbery’s review highlights his shift to the Fujifilm GFX100S II, focusing on its superior 102-megapixel sensor for dynamic range and color. Pros include exceptional 8-stop IBIS, lightweight construction, and improved AI autofocus, making it highly suitable for landscape photography. YouTube · Conversely, the review identifies downsides like less reactive autofocus compared to top-tier full-frame, limited buffer speed due to SD-only slots, and heavier lenses. Despite these, the camera is lauded as a viable, smaller alternative to full-frame setups like the Nikon Z9. YouTube

The Amateur Photographer review highlights the Fujifilm GFX100S II as a powerful, accessible medium-format camera, praising its 102MP sensor for delivering superlative image quality in a more compact form factor. Key advantages include an improved, AI-powered autofocus system, an enhanced 5.76-million-dot EVF, and robust 8-stop IBIS, all at a lower price point than its predecessor. However, the camera lacks the faster, top-tier sensor and 8K video capabilities of the higher-end GFX100 II, and it relies on dual UHS-II SD card slots rather than faster CFexpress. While the 7fps shooting speed is capable, the review notes the camera is optimized more for high-resolution stills rather than maximum action performance, solidifying its place as a specialized, high-resolution field tool.

The Fujifilm GFX 100S II is a 102MP medium format camera that offers excellent image quality with vibrant Fujifilm colours and a solid workhorse build, making it the best value option in the GFX lineup at a list price of $5,699.95. Key hardware upgrades over its predecessor include a significantly improved, immersive 5.76m-Dot OLED EVF, an upgraded X-Processor 5, a lower base ISO of 80, a faster burst rate of 7 fps, and a grippy new Bishamon-Tex exterior wrapping. The camera also features enhanced 8-stop in-body image stabilization (IBIS), which facilitates comfortable handheld operation and pairs effectively with long lenses like the GF 500mm f/5.6 for general-purpose, landscape, and static wildlife photography. The core pros of the camera include its status as the best value GFX body, top-tier image quality, and a highly detailed EVF. However, the primary con is its autofocus tracking performance, which struggles with moving subjects and is not fast enough for demanding action or wildlife tracking compared to competitors like the Nikon Z8. Additionally, the reviewer notes that the body design feels slightly dated and due...

The Fujifilm GFX 100S II is a stills-focused, medium-format camera designed for professionals requiring massive image resolution and dynamic range. Priced at $5,199.95, it serves as a lighter, more portable version of Fujifilm's flagship GFX 100 II, shedding heavy 8K video features in favour of a body weighing 1.95 lbs (883 g). Built around a massive 102MP sensor paired with the X-Processor 5, it captures extraordinary detail, making it an excellent option for landscape, portrait, and astrophotography where heavy cropping or large-scale printing is required. Its hardware includes advanced AI-powered autofocus, eight stops of in-body image stabilization, dual SD UHS-II slots, and an illuminated secondary top LCD to aid visibility in dark environments. The primary pros of the GFX 100S II are its exceptionally powerful 102MP medium-format sensor, highly customizable professional functionality, and robust overall build. Testing for astrophotography yielded highly detailed wide-angle captures of targets like the Milky Way and deep space star clusters. Conversely, the primary cons include its steep price tag and the limited, expensive range of native GFX lenses. For dedicated skywatching, it lacks an astro-specific...

The Fujifilm GFX100S II is a traditional medium format camera designed to deliver elite image quality at a significantly reduced entry price of $5,000, which is $1,000 cheaper than its predecessor. The camera inherits the upgraded 102-megapixel BSI CMOS II sensor and X-Processor 5 from the flagship GFX100 II, producing staggering resolution, unmatched detail cropping capabilities, and exceptional dynamic range with a native base ISO of 80. Major pros include an outstanding 8-stop in-body image stabilization (IBIS) system, a robust magnesium alloy body wrapped in a premium BISHAMON-TEX grip texture, and a vastly improved 5.76-million-dot EVF. It also introduces the REALA Ace film simulation and supports AI-driven subject tracking for humans, animals, birds, and vehicles. Despite these significant generational upgrades, the review highlights several distinct cons that prevent the system from matching mainstream full-frame rivals in speed and versatility. The autofocus system remains the camera's weakest area; it lags noticeably behind modern Sony, Canon, or Nikon systems, prone to minor hunting, misses on moving subjects, and a persistent first-frame shutter lag. To hit the lower price point, video capabilities are...

The Fujifilm GFX100S II offers exceptional 102MP medium-format image quality, with clean, low-noise results up to ISO 800 and usable performance at high ISO levels. The camera features a refined, ergonomic body, a 5.76-million-dot EVF, 7fps continuous shooting, and 16-bit RAW capture. Additionally, the AI-assisted subject tracking is fast and reliable, and the 8-stop in-body image stabilization (IBIS) performs well. Key drawbacks highlighted include a small, awkward AF-ON button, notable rolling shutter artifacts in electronic shutter mode, and a lower resolution viewfinder compared to the flagship GFX100 II. Furthermore, users must manage large file sizes and contend with heavier, larger lenses characteristic of the medium-format system.