Sony E 18 200mm F3 5 5 6 OSS Le Review | 54 Data compared

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  • Avg. price: ~£340
  • Lens mount: Sony E
  • Maximum focal length: 200 mm
  • Maximum aperture (telephoto end): 5.6
  • Optical image stabilization: yes
  • Maximum angle of view: 76 °

Sony E 18 200mm F3 5 5 6 OSS Le review. Compare 54 technical specifications and user reviews to see how it ranks among camera lenses and if it is worth buying.

7.0

Overall score

What it is: An overall evaluation of the camera lens's quality, based on technical analyses and user reviews.

When it matters: When you need a quick reference to identify the best camera lenses on the market.

Score components:

80.0%

7.0

Technical Score

20.0%

?

User score

Very good
7.0

Technical Score

What it is: An assessment of the camera lens's technical performance, covering eight key areas: sharpness, aperture flexibility, autofocus, stabilization, build quality, mount compatibility, close-focus performance, and design.

When it matters: When you want to compare camera lenses based on technical performance and available features.

Score components:

35.0%

8.0

Optics & Aperture

24.0%

7.1

Build & Handling

20.0%

5.8

Focus & Controls

10.0%

7.2

Lab Scores

8.0%

7.9

Stabilization

3.0%

1.0

Mount & Format

Very good
?

User score

What it is: A rating that combines user reviews and the total number of reviews received by the camera lens.

When it matters: When real-world owner satisfaction and review volume matter to your decision.

Score components:

70.0%

?

User reviews

30.0%

?

Popularity

  • 9.7
    Low-light photography

    Score components:

    70.0%

    9.5

    Maximum aperture (telephoto end)

    30.0%

    10

    Optical image stabilization

  • 6.9
    Travel

    Score components:

    30.0%

    8.5

    Lens length

    25.0%

    8.3

    Lens diameter

    25.0%

    1.0

    Weather sealing (splashproof)

    20.0%

    10

    Optical image stabilization

  • No image
No image

Best prices in UK

    N/A~ £340

Best rankings

?

Available: ranking among products currently available (including other versions of this product).
All: ranking among all products in the database.

Verdict

The Sony E 18-200mm F3.5-6.3 OSS LE is a versatile, high-magnification travel lens designed for APS-C mirrorless cameras, offering an 11.1x zoom range equivalent to 27-300mm in 35mm format. Weighing approximately 460g with a 62mm filter thread, it features a lightweight and compact design compared to its predecessor, along with Optical SteadyShot (OSS) for effective image stabilisation and a 7-blade circular aperture for smooth bokeh. Its optical construction includes two ED glass elements and four aspherical surfaces to minimize aberrations, while a linear autofocus motor ensures quiet, internal focusing as close as 0.5m. Main advantages include its impressive all-in-one focal range, fast and silent autofocus, and effective handheld stabilization for stills; however, it suffers from a variable and relatively dark maximum aperture (dropping to f/6.3 at the telephoto end), some softness at 200mm, and the lack of an 'Active Mode' stabilization feature specifically for video.

Technical Specifications of Sony E 18 200mm F3 5 5 6 OSS Le

Technical Score

What it is: An assessment of the camera lens's technical performance, covering eight key areas: sharpness, aperture flexibility, autofocus, stabilization, build quality, mount compatibility, close-focus performance, and design.

When it matters: When you want to compare camera lenses based on technical performance and available features.

Score components:

35.0%

?

Optics & Aperture

24.0%

?

Build & Handling

20.0%

?

Focus & Controls

10.0%

?

Lab Scores

8.0%

?

Stabilization

3.0%

?

Mount & Format

7.0
Sony E 18 200mm F3 5 5 6 OSS Le has a technical score of 7.04 points, which is lower than 55.5% of camera lenses.
User score

What it is: A rating that combines user reviews and the total number of reviews received by the camera lens.

When it matters: When real-world owner satisfaction and review volume matter to your decision.

Score components:

70.0%

0.0

User reviews

30.0%

1.0

Popularity

?
Popularity
What it is: An indicator based on the number of reviews received by the camera lens.
When it matters: When you want to see which camera lenses attract the most buyer attention and review activity.
1.0
Sony E 18 200mm F3 5 5 6 OSS Le has a popularity of 1 points, which is lower than 90% of products in this category.
Ratio quality/price

What it is: An indicator that combines the camera lens's overall rating with its cost.

When it matters: When you want to know how much overall quality you get for the price.

Score components:

60.0%

7.0

Overall score

40.0%

8.7

Price

7.5
Sony E 18 200mm F3 5 5 6 OSS Le has a quality-to-price ratio of 7.5 points, which is higher than 58% of products in this category.
Lens type
What it is: The optical category that indicates whether the lens is a prime, zoom, macro, fisheye, or another design.
When it matters: When you are choosing between a prime, zoom, macro, or specialty lens for the kind of subjects you shoot.

Importance: LOW

zoom
Lens mount
What it is: The mechanical and electronic interface that determines which cameras the lens can be attached to.
When it matters: When camera compatibility and access to the right lens ecosystem are central to your buying decision.

Importance: LOW

Sony E
Sensor format coverage
What it is: The largest sensor size the lens is designed to cover without severe vignetting.
When it matters: When you need the lens to fully cover your camera sensor without heavy corner darkening.

Importance: LOW

APS-C
Filter thread size
What it is: The diameter of the front filter thread used for screw-in filters and compatible accessories.
When it matters: When you plan to use screw-in filters such as polarizers, ND filters, or protective glass.

Importance: LOW

62 mm
Teleconverter compatibility
What it is: Whether the lens can be used with compatible teleconverters to extend focal length.
When it matters: When you want to extend reach for wildlife or sports without changing to a different long lens.

Importance: HIGH

no
Sony E 18 200mm F3 5 5 6 OSS Le does not support teleconverters. 15.3% of camera lenses support teleconverters.
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Minimum focal length
What it is: The shortest focal length the lens can provide, which determines its widest framing.
When it matters: When wide framing matters for landscapes, interiors, architecture, or travel shots.

Importance: LOW

18 mm
Maximum focal length
What it is: The longest focal length the lens can reach, which determines its telephoto reach.
When it matters: When you need more reach for wildlife, sports, stage events, or distant details.

Importance: LOW

200 mm
Optical zoom
What it is: The ratio between the longest and shortest focal lengths available in the lens zoom range.
When it matters: When you want one lens to cover a broader range of compositions without swapping glass.

Importance: LOW

11x
Maximum angle of view
What it is: The widest scene the lens can capture at its shortest focal length.
When it matters: When you need to fit more of a room, skyline, or landscape into the frame.

Importance: LOW

76 °
Minimum angle of view
What it is: The narrowest scene the lens captures at its longest focal length.
When it matters: When you want tighter framing on faraway subjects without moving closer.

Importance: LOW

8 °
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Focus motor
What it is: The autofocus drive system responsible for moving lens elements into focus.
When it matters: When fast, quiet autofocus matters for video, wildlife, street shots, or moving subjects.

Importance: LOW

linear motor
Minimum focus distance
What it is: The shortest distance at which the lens can focus on a subject.
When it matters: When you like shooting details, food, flowers, or products from a very short distance.

Importance: MEDIUM

0.5 m
Sony E 18 200mm F3 5 5 6 OSS Le focuses as close as 0.5 m, which is farther than 70.1% of camera lenses and equal to 3.7% of camera lenses.
Maximum reproduction ratio
What it is: The highest magnification the lens can achieve when focusing at its closest distance.
When it matters: When close-up magnification matters for macro work, textures, or small product details.

Importance: MEDIUM

0.27x
Sony E 18 200mm F3 5 5 6 OSS Le reaches a reproduction ratio of 0.27x, which is higher than 76.9% of camera lenses and equal to 1.8% of camera lenses.
Full-time manual focus
What it is: The ability to adjust focus manually without leaving autofocus mode.
When it matters: When you want to fine-tune focus instantly without switching out of autofocus.

Importance: HIGH

yes
Sony E 18 200mm F3 5 5 6 OSS Le supports full-time manual focus. 68.3% of camera lenses support full-time manual focus.
Override via DMF mode.
Internal focusing
What it is: A focusing design in which internal elements move while the outer barrel length stays unchanged.
When it matters: When you use polarizers, gimbals, or close-up setups that benefit from a lens that does not extend while focusing.

Importance: HIGH

yes
Sony E 18 200mm F3 5 5 6 OSS Le supports internal focusing. 83.6% of camera lenses support internal focusing.
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Optical image stabilization
What it is: A hardware system that shifts optical elements to counteract camera shake and reduce blur.
When it matters: When you want steadier handheld shots and less blur, especially in low light or at longer focal lengths.

Importance: HIGH

yes
Sony E 18 200mm F3 5 5 6 OSS Le supports optical image stabilization. 28.9% of camera lenses include optical image stabilization.
Stabilization effectiveness (CIPA stops)
What it is: The rated stabilizer benefit, measured in stops, under CIPA testing standards.
When it matters: When you are comparing stabilized lenses and want to know how much handheld shutter-speed advantage they offer.

Importance: HIGH

4 stops
Sony E 18 200mm F3 5 5 6 OSS Le offers 4 stops of stabilization, which is stronger than 21.3% of camera lenses and equal to 44.5% of camera lenses.
Weight
What it is: The total mass of the lens, affecting portability and handling balance on the camera body.
When it matters: When you carry a lens all day for travel, hiking, or event coverage and want to keep your kit manageable.

Importance: HIGH

460 g
Sony E 18 200mm F3 5 5 6 OSS Le weighs 460 g, which is lighter than 58.9% of camera lenses and equal to the weight of 0.2% of camera lenses.
Lens length
What it is: The physical length of the lens body from mount to front edge.
When it matters: When bag space, balance, or front clearance matters in a compact travel or video setup.

Importance: HIGH

97.1 mm
Sony E 18 200mm F3 5 5 6 OSS Le is 97.1 mm long, which is longer than 55.2% of camera lenses.
Lens diameter
What it is: The widest outer diameter of the lens barrel.
When it matters: When grip comfort, filter size, or fit inside a tight camera bag matters to you.

Importance: MEDIUM

68 mm
Sony E 18 200mm F3 5 5 6 OSS Le has a diameter of 68 mm, which is slimmer than 77.4% of camera lenses and equal to that of 1.1% of camera lenses.
Weather sealing (splashproof)
What it is: Protective sealing intended to resist splashes, dust, and light environmental exposure.
When it matters: When you often shoot outdoors in light rain, dust, or changing conditions.

Importance: HIGH

no
Sony E 18 200mm F3 5 5 6 OSS Le does not support weather sealing. 50.3% of camera lenses support weather sealing.
Metal mount
What it is: A lens mount made of metal rather than plastic for greater durability at the camera connection point.
When it matters: When durability matters because you change lenses often or use heavier gear for work.

Importance: HIGH

yes
Sony E 18 200mm F3 5 5 6 OSS Le uses a metal lens mount. 93.1% of camera lenses use a metal lens mount.
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DxOMark overall score
What it is: The combined DxOMark lens rating based on lab-tested optical performance.
When it matters: When you want a quick lab-based summary of overall optical performance before comparing lenses in detail.

Importance: HIGH

12
Sony E 18 200mm F3 5 5 6 OSS Le has a DxOMark overall score of 12, which is lower than that of 86.6% of camera lenses and equal to that of 4.6% of camera lenses.
DxOMark sharpness score
What it is: The DxOMark subscore that reflects how much detail the lens can resolve across the frame.
When it matters: When fine detail matters for landscapes, product work, or high-resolution cameras.

Importance: HIGH

?
DxOMark transmission
What it is: The measured light transmission of the lens, expressed as T-stop rather than nominal f-number.
When it matters: When real light loss matters for exposure consistency in studio, cinema, or mixed-lens shoots.

Importance: MEDIUM

?
DxOMark distortion
What it is: The DxOMark metric that measures how much the lens bends straight lines away from their true shape.
When it matters: When straight lines matter in architecture, interiors, copy work, or product photography.

Importance: MEDIUM

?
DxOMark vignetting
What it is: The DxOMark measurement of corner darkening relative to the center of the image.
When it matters: When even corner brightness matters for skies, studio backdrops, or clean product shots.

Importance: MEDIUM

?
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Sony E 18 200mm F3 5 5 6 OSS Le vs the average camera lens

  • Has optical image stabilization
    Sony E 18 200mm F3 5 5 6 OSS Le has optical image stabilization, the average camera lens does not. 29% of camera lenses include optical image stabilization.
    What it is: A hardware system that shifts optical elements to counteract camera shake and reduce blur.
    When it matters: When you want steadier handheld shots and less blur, especially in low light or at longer focal lengths.

    Importance: HIGH

    Sony E 18 200mm F3 5 5 6 OSS Le has optical image stabilization, the average camera lens does not. 29% of camera lenses include optical image stabilization.
  • Has zoom lock switch
    Sony E 18 200mm F3 5 5 6 OSS Le has a zoom lock switch, the average camera lens does not. 8.6% of camera lenses include a zoom lock switch.
    Zoom lock switch present.
    What it is: A switch that locks the zoom position to prevent the lens from extending during transport.
    When it matters: When you carry the lens while walking or traveling and want to prevent zoom creep.

    Importance: LOW

    Sony E 18 200mm F3 5 5 6 OSS Le has a zoom lock switch, the average camera lens does not. 8.6% of camera lenses include a zoom lock switch.
  • 2 more aspherical elements
    Sony E 18 200mm F3 5 5 6 OSS Le has more aspherical elements than the average camera lens (4 vs 2). The average lens has 2 aspherical elements.
    What it is: Specially shaped lens elements used to reduce distortion and improve sharpness with fewer optical compromises.
    When it matters: When edge sharpness and lower distortion matter in wide-angle, travel, or everyday shooting.

    Importance: MEDIUM

    Sony E 18 200mm F3 5 5 6 OSS Le has more aspherical elements than the average camera lens (4 vs 2). The average lens has 2 aspherical elements.4 vs 2
  • 9 mm narrower lens barrel
    Sony E 18 200mm F3 5 5 6 OSS Le is slimmer than the average camera lens (68 mm vs 77 mm). The average lens has a diameter of 77 mm.
    What it is: The widest outer diameter of the lens barrel.
    When it matters: When grip comfort, filter size, or fit inside a tight camera bag matters to you.

    Importance: MEDIUM

    Sony E 18 200mm F3 5 5 6 OSS Le is slimmer than the average camera lens (68 mm vs 77 mm). The average lens has a diameter of 77 mm.68 mm vs 77 mm
  • 65.4 g lighter
    Sony E 18 200mm F3 5 5 6 OSS Le is lighter than the average camera lens (460 g vs 525.4 g). The average lens weighs 525.4 g.
    What it is: The total mass of the lens, affecting portability and handling balance on the camera body.
    When it matters: When you carry a lens all day for travel, hiking, or event coverage and want to keep your kit manageable.

    Importance: HIGH

    Sony E 18 200mm F3 5 5 6 OSS Le is lighter than the average camera lens (460 g vs 525.4 g). The average lens weighs 525.4 g.460 g vs 525.4 g
  • 0.08 x higher maximum reproduction ratio
    Sony E 18 200mm F3 5 5 6 OSS Le has a higher maximum reproduction ratio than the average camera lens (0.3x vs 0.192x). The average lens has a maximum reproduction ratio of 0.192x.
    What it is: The highest magnification the lens can achieve when focusing at its closest distance.
    When it matters: When close-up magnification matters for macro work, textures, or small product details.

    Importance: MEDIUM

    Sony E 18 200mm F3 5 5 6 OSS Le has a higher maximum reproduction ratio than the average camera lens (0.3x vs 0.192x). The average lens has a maximum reproduction ratio of 0.192x.0.27 x vs 0.192 x
  • 2 more aspherical elements
    Sony E 18 200mm F3 5 5 6 OSS Le has more aspherical elements than the average camera lens (4 vs 2). The average lens has 2 aspherical elements.
  • Has zoom lock switch
    Sony E 18 200mm F3 5 5 6 OSS Le has a zoom lock switch, the average camera lens does not. 8.6% of camera lenses include a zoom lock switch.
  • 0.08 x higher maximum reproduction ratio
    Sony E 18 200mm F3 5 5 6 OSS Le has a higher maximum reproduction ratio than the average camera lens (0.3x vs 0.192x). The average lens has a maximum reproduction ratio of 0.192x.
  • Has optical image stabilization
    Sony E 18 200mm F3 5 5 6 OSS Le has optical image stabilization, the average camera lens does not. 29% of camera lenses include optical image stabilization.
  • 9 mm narrower lens barrel
    Sony E 18 200mm F3 5 5 6 OSS Le is slimmer than the average camera lens (68 mm vs 77 mm). The average lens has a diameter of 77 mm.
  • 65.4 g lighter
    Sony E 18 200mm F3 5 5 6 OSS Le is lighter than the average camera lens (460 g vs 525.4 g). The average lens weighs 525.4 g.
  • 2.8 higher f-number at telephoto end
    Sony E 18 200mm F3 5 5 6 OSS Le has a dimmer maximum telephoto aperture than the average camera lens (f/5.6 vs f/2.8). The average lens has a maximum telephoto aperture of f/2.8.
  • 2 fewer aperture blades
    Sony E 18 200mm F3 5 5 6 OSS Le has fewer aperture blades than the average camera lens (7 vs 9). The average lens has 9 aperture blades.
  • 0.2 m longer minimum focus distance
    Sony E 18 200mm F3 5 5 6 OSS Le has a higher minimum focus distance than the average camera lens (0.5 m vs 0.3 m). The average lens has a minimum focus distance of 0.3 m.
  • Not weather-sealed
    Sony E 18 200mm F3 5 5 6 OSS Le does not support weather sealing, the average camera lens does. 50.3% of camera lenses support weather sealing.
  • Older release date
    Sony E 18 200mm F3 5 5 6 OSS Le was released earlier than the average camera lens.
    May 2012
  • 5.1 mm longer lens
    Sony E 18 200mm F3 5 5 6 OSS Le is longer than the average camera lens (97.1 mm vs 92 mm). The average lens has a length of 92 mm.
  • 14 points lower DxOMark score
    Sony E 18 200mm F3 5 5 6 OSS Le has a lower DxOMark overall score than the average camera lens (12 vs 26). The average lens has a DxOMark overall score of 26.
  • Not weather-sealed
    Sony E 18 200mm F3 5 5 6 OSS Le does not support weather sealing, the average camera lens does. 50.3% of camera lenses support weather sealing.
    What it is: Protective sealing intended to resist splashes, dust, and light environmental exposure.
    When it matters: When you often shoot outdoors in light rain, dust, or changing conditions.

    Importance: HIGH

    Sony E 18 200mm F3 5 5 6 OSS Le does not support weather sealing, the average camera lens does. 50.3% of camera lenses support weather sealing.
  • 2.8 higher f-number at telephoto end
    Sony E 18 200mm F3 5 5 6 OSS Le has a dimmer maximum telephoto aperture than the average camera lens (f/5.6 vs f/2.8). The average lens has a maximum telephoto aperture of f/2.8.
    What it is: The widest aperture available at the long end of the zoom range, affecting light intake and background blur.
    When it matters: When you shoot at the long end in low light or want stronger background blur for portraits and sports.

    Importance: HIGH

    Sony E 18 200mm F3 5 5 6 OSS Le has a dimmer maximum telephoto aperture than the average camera lens (f/5.6 vs f/2.8). The average lens has a maximum telephoto aperture of f/2.8.5.6 vs 2.8
  • 2 fewer aperture blades
    Sony E 18 200mm F3 5 5 6 OSS Le has fewer aperture blades than the average camera lens (7 vs 9). The average lens has 9 aperture blades.
    What it is: The number of diaphragm blades that shape the aperture opening and influence blur rendering.
    When it matters: When the look of out-of-focus highlights matters in portraits, close-ups, or cinematic video.

    Importance: HIGH

    Sony E 18 200mm F3 5 5 6 OSS Le has fewer aperture blades than the average camera lens (7 vs 9). The average lens has 9 aperture blades.7 vs 9
  • 14 points lower DxOMark score
    Sony E 18 200mm F3 5 5 6 OSS Le has a lower DxOMark overall score than the average camera lens (12 vs 26). The average lens has a DxOMark overall score of 26.
    What it is: The combined DxOMark lens rating based on lab-tested optical performance.
    When it matters: When you want a quick lab-based summary of overall optical performance before comparing lenses in detail.

    Importance: HIGH

    Sony E 18 200mm F3 5 5 6 OSS Le has a lower DxOMark overall score than the average camera lens (12 vs 26). The average lens has a DxOMark overall score of 26.12 vs 26
  • 0.2 m longer minimum focus distance
    Sony E 18 200mm F3 5 5 6 OSS Le has a higher minimum focus distance than the average camera lens (0.5 m vs 0.3 m). The average lens has a minimum focus distance of 0.3 m.
    What it is: The shortest distance at which the lens can focus on a subject.
    When it matters: When you like shooting details, food, flowers, or products from a very short distance.

    Importance: MEDIUM

    Sony E 18 200mm F3 5 5 6 OSS Le has a higher minimum focus distance than the average camera lens (0.5 m vs 0.3 m). The average lens has a minimum focus distance of 0.3 m.0.5 m vs 0.3 m
  • Older release date
    Sony E 18 200mm F3 5 5 6 OSS Le was released earlier than the average camera lens.
    May 2012
    What it is: The date when the lens model was first officially introduced.
    When it matters: When you prefer a newer optical design with more modern autofocus, coatings, or stabilization features.

    Importance: LOW

    Sony E 18 200mm F3 5 5 6 OSS Le was released earlier than the average camera lens.2012 vs 2016
  • 6.38x less popular
    Sony E 18 200mm F3 5 5 6 OSS Le is less popular than the average camera lens (1.00 vs 6.383).
    What it is: An indicator based on the number of reviews received by the camera lens.
    When it matters: When you want to see which camera lenses attract the most buyer attention and review activity.
    Sony E 18 200mm F3 5 5 6 OSS Le is less popular than the average camera lens (1.00 vs 6.383).1 vs 6.38
  • 5.1 mm longer lens
    Sony E 18 200mm F3 5 5 6 OSS Le is longer than the average camera lens (97.1 mm vs 92 mm). The average lens has a length of 92 mm.
    What it is: The physical length of the lens body from mount to front edge.
    When it matters: When bag space, balance, or front clearance matters in a compact travel or video setup.

    Importance: HIGH

    Sony E 18 200mm F3 5 5 6 OSS Le is longer than the average camera lens (97.1 mm vs 92 mm). The average lens has a length of 92 mm.97.1 mm vs 92 mm

Graphic comparison of Sony E 18 200mm F3 5 5 6 OSS Le and

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Third-party reviews

What customers like about Sony E 18 200mm F3 5 5 6 OSS Le?

  • Versatile 11x zoom range (27-300mm equivalent) making it an ideal all-in-one travel lens
  • Effective Optical SteadyShot (OSS) stabilization for sharp handheld photos and smooth video
  • Lightweight and compact design compared to the original 18-200mm model
  • High build quality with a sturdy, well-made feel
  • Fast and virtually silent autofocus performance
  • Good sharpness at the wide-angle end of the zoom range

What customers dislike about Sony E 18 200mm F3 5 5 6 OSS Le?

  • Noticeable loss of sharpness and clarity when fully zoomed to 200mm
  • Relatively dark and variable aperture (f/3.5-6.3) which limits low-light performance
  • Visible barrel distortion at 18mm and pincushioning at longer focal lengths if not corrected
  • Lacks the 'Active Steady Shot' mode found on the original version, affecting advanced video stabilization
  • Can feel front-heavy on smaller APS-C camera bodies
  • Minimum focus distance is not ideal for macro photography

Expert reviews

I
imaging-resource.com
16/07/2012
Summary of the review
P
pcmag.com
27/02/2020
Summary of the review
K
kenrockwell.com
13/03/2019
Summary of the review
M
medium.com
25/07/2013
Summary of the review
R
radojuva.com
06/04/2024
Summary of the review
D
digitalkamera.de
16/08/2012
Summary of the review
I
imtest.de
31. Dezember 2022
Summary of the review
L
lesnumeriques.com
26/06/2012
Summary of the review
D
dxomark.com
15/04/2014
Summary of the review
R
radojuva.com
25/07/2020
Summary of the review
S
sony.it
10/05/2026
Summary of the review
T
tweakers.net
04/06/2021
Summary of the review

Video reviews

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