Sigma 18 50mm F 2 8 DC DN Contemporary Review | 54 Data compared

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  • Avg. price in UK: ~£460
  • Avg. price in US: ~$580
  • Lens mount: Canon RF, Fujifilm X, Sony E, L-Mount
  • Maximum focal length: 50 mm
  • Maximum aperture (telephoto end): 2.8
  • Optical image stabilization: no
  • Maximum angle of view: 76.5 °

Sigma 18 50mm F 2 8 DC DN Contemporary review. Compare 54 technical specifications and user reviews to see how it ranks among camera lenses and if it is worth buying.

7.9

Overall score

What it is: An overall evaluation of the camera lens's quality, based on technical analyses and user reviews.

When it matters: When you need a quick reference to identify the best camera lenses on the market.

Score components:

80.0%

7.5

Technical Score

20.0%

9.6

User score

Very good
7.5

Technical Score

What it is: An assessment of the camera lens's technical performance, covering eight key areas: sharpness, aperture flexibility, autofocus, stabilization, build quality, mount compatibility, close-focus performance, and design.

When it matters: When you want to compare camera lenses based on technical performance and available features.

Score components:

35.0%

8.1

Optics & Aperture

24.0%

9.4

Build & Handling

20.0%

5.6

Focus & Controls

10.0%

9.0

Lab Scores

8.0%

4.2

Stabilization

3.0%

1.0

Mount & Format

Very good
9.6

User score

What it is: A rating that combines user reviews and the total number of reviews received by the camera lens.

When it matters: When real-world owner satisfaction and review volume matter to your decision.

Score components:

70.0%

9.4

User reviews

30.0%

10

Popularity

User score:
United Kingdom
amazon
4.6
(1636)
amazon
4.7
(183)
amazon
4.9
(39)
amazon
4.3
(17)
amazon
4.9
(12)
amazon
5.0
(1)
United States
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4.7
(1692)
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4.6
(196)
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4.9
(41)
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4.9
(13)
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5.0
(2)
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5.0
(1)

(Reviews last updated: July 2026)

Exceptional
  • 7.2
    Low-light photography

    Score components:

    70.0%

    9.8

    Maximum aperture (telephoto end)

    30.0%

    1.0

    Optical image stabilization

  • 7.4
    Travel

    Score components:

    30.0%

    8.9

    Lens length

    25.0%

    ?

    Lens diameter

    25.0%

    10

    Weather sealing (splashproof)

    20.0%

    1.0

    Optical image stabilization

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Best rankings

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Available: ranking among products currently available (including other versions of this product).
All: ranking among all products in the database.

Verdict

The Sigma 18-50mm f/2.8 DC DN ContemporaryGo to product viewer dialog for this item. is an exceptionally compact and lightweight standard zoom lens designed for APS-C mirrorless systems, weighing just 290g with a length of 74.5mm. It features a versatile full-frame equivalent focal range of 27-75mm and maintains a constant f/2.8 maximum aperture throughout, supported by an optical construction of 13 elements in 10 groups and a 7-blade rounded diaphragm. Key advantages include its fast and near-silent STM autofocus, impressive 1:2.8 macro-style close-up capability with a 12.1cm minimum focusing distance, and robust build using Thermally Stable Composite material. However, it lacks built-in optical image stabilization and an aperture ring, and corner sharpness can be soft at the wide 18mm end when shot wide open.

Technical Specifications of Sigma 18 50mm F 2 8 DC DN Contemporary

Technical Score

What it is: An assessment of the camera lens's technical performance, covering eight key areas: sharpness, aperture flexibility, autofocus, stabilization, build quality, mount compatibility, close-focus performance, and design.

When it matters: When you want to compare camera lenses based on technical performance and available features.

Score components:

35.0%

8.1

Optics & Aperture

24.0%

9.4

Build & Handling

20.0%

5.6

Focus & Controls

10.0%

9.0

Lab Scores

8.0%

4.2

Stabilization

3.0%

1.0

Mount & Format

7.5
Sigma 18 50mm F 2 8 DC DN Contemporary has a technical score of 7.46 points, which is higher than 61.3% of camera lenses.
User score

What it is: A rating that combines user reviews and the total number of reviews received by the camera lens.

When it matters: When real-world owner satisfaction and review volume matter to your decision.

Score components:

70.0%

9.4

User reviews

30.0%

10

Popularity

User score:
United Kingdom
amazon
4.6
(1636)
amazon
4.7
(183)
amazon
4.9
(39)
amazon
4.3
(17)
amazon
4.9
(12)
amazon
5.0
(1)
United States
Amazon_logo.png
4.7
(1692)
Amazon_logo.png
4.6
(196)
Amazon_logo.png
4.9
(41)
Amazon_logo.png
4.9
(13)
Amazon_logo.png
5.0
(2)
Amazon_logo.png
5.0
(1)

(Reviews last updated: July 2026)

9.6
Sigma 18 50mm F 2 8 DC DN Contemporary has a user score of 9.57 points, which is higher than 95.4% of camera lenses.
Popularity
What it is: An indicator based on the number of reviews received by the camera lens.
When it matters: When you want to see which camera lenses attract the most buyer attention and review activity.
10
Sigma 18 50mm F 2 8 DC DN Contemporary has a popularity of 10 points, which is higher than 69.2% of products in this category.
Ratio quality/price

What it is: An indicator that combines the camera lens's overall rating with its cost.

When it matters: When you want to know how much overall quality you get for the price.

Score components:

60.0%

7.9

Overall score

40.0%

8.1

Price

7.9
Sigma 18 50mm F 2 8 DC DN Contemporary has a quality-to-price ratio of 7.9 points, which is higher than 85.3% of products in this category.
Lens type
What it is: The optical category that indicates whether the lens is a prime, zoom, macro, fisheye, or another design.
When it matters: When you are choosing between a prime, zoom, macro, or specialty lens for the kind of subjects you shoot.

Importance: LOW

zoom
Lens mount
What it is: The mechanical and electronic interface that determines which cameras the lens can be attached to.
When it matters: When camera compatibility and access to the right lens ecosystem are central to your buying decision.

Importance: LOW

Canon RF, Fujifilm X, Sony E, L-Mount
Sensor format coverage
What it is: The largest sensor size the lens is designed to cover without severe vignetting.
When it matters: When you need the lens to fully cover your camera sensor without heavy corner darkening.

Importance: LOW

APS-C
Filter thread size
What it is: The diameter of the front filter thread used for screw-in filters and compatible accessories.
When it matters: When you plan to use screw-in filters such as polarizers, ND filters, or protective glass.

Importance: LOW

55 mm
Teleconverter compatibility
What it is: Whether the lens can be used with compatible teleconverters to extend focal length.
When it matters: When you want to extend reach for wildlife or sports without changing to a different long lens.

Importance: HIGH

no
Sigma 18 50mm F 2 8 DC DN Contemporary does not support teleconverters. 15.3% of camera lenses support teleconverters.
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Minimum focal length
What it is: The shortest focal length the lens can provide, which determines its widest framing.
When it matters: When wide framing matters for landscapes, interiors, architecture, or travel shots.

Importance: LOW

18 mm
Maximum focal length
What it is: The longest focal length the lens can reach, which determines its telephoto reach.
When it matters: When you need more reach for wildlife, sports, stage events, or distant details.

Importance: LOW

50 mm
Optical zoom
What it is: The ratio between the longest and shortest focal lengths available in the lens zoom range.
When it matters: When you want one lens to cover a broader range of compositions without swapping glass.

Importance: LOW

2.8x
Maximum angle of view
What it is: The widest scene the lens can capture at its shortest focal length.
When it matters: When you need to fit more of a room, skyline, or landscape into the frame.

Importance: LOW

76.5 °
Minimum angle of view
What it is: The narrowest scene the lens captures at its longest focal length.
When it matters: When you want tighter framing on faraway subjects without moving closer.

Importance: LOW

31.7 °
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Focus motor
What it is: The autofocus drive system responsible for moving lens elements into focus.
When it matters: When fast, quiet autofocus matters for video, wildlife, street shots, or moving subjects.

Importance: LOW

STM
Minimum focus distance
What it is: The shortest distance at which the lens can focus on a subject.
When it matters: When you like shooting details, food, flowers, or products from a very short distance.

Importance: MEDIUM

0.121 m
Sigma 18 50mm F 2 8 DC DN Contemporary focuses as close as 0.121 m, which is closer than 97% of camera lenses and equal to 1.3% of camera lenses.
Maximum reproduction ratio
What it is: The highest magnification the lens can achieve when focusing at its closest distance.
When it matters: When close-up magnification matters for macro work, textures, or small product details.

Importance: MEDIUM

0.357x
Sigma 18 50mm F 2 8 DC DN Contemporary reaches a reproduction ratio of 0.357x, which is higher than 88.6% of camera lenses and equal to 0.5% of camera lenses.
Full-time manual focus
What it is: The ability to adjust focus manually without leaving autofocus mode.
When it matters: When you want to fine-tune focus instantly without switching out of autofocus.

Importance: HIGH

yes
Sigma 18 50mm F 2 8 DC DN Contemporary supports full-time manual focus. 68.3% of camera lenses support full-time manual focus.
Internal focusing
What it is: A focusing design in which internal elements move while the outer barrel length stays unchanged.
When it matters: When you use polarizers, gimbals, or close-up setups that benefit from a lens that does not extend while focusing.

Importance: HIGH

yes
Sigma 18 50mm F 2 8 DC DN Contemporary supports internal focusing. 83.6% of camera lenses support internal focusing.
Barrel extends only during zooming.
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Optical image stabilization
What it is: A hardware system that shifts optical elements to counteract camera shake and reduce blur.
When it matters: When you want steadier handheld shots and less blur, especially in low light or at longer focal lengths.

Importance: HIGH

no
Sigma 18 50mm F 2 8 DC DN Contemporary does not support optical image stabilization. 29% of camera lenses include optical image stabilization.
Stabilization effectiveness (CIPA stops)
What it is: The rated stabilizer benefit, measured in stops, under CIPA testing standards.
When it matters: When you are comparing stabilized lenses and want to know how much handheld shutter-speed advantage they offer.

Importance: HIGH

?
Weight
What it is: The total mass of the lens, affecting portability and handling balance on the camera body.
When it matters: When you carry a lens all day for travel, hiking, or event coverage and want to keep your kit manageable.

Importance: HIGH

?
Lens length
What it is: The physical length of the lens body from mount to front edge.
When it matters: When bag space, balance, or front clearance matters in a compact travel or video setup.

Importance: HIGH

74.5 mm
Sigma 18 50mm F 2 8 DC DN Contemporary is 74.5 mm long, which is shorter than 69% of camera lenses and equal to the length of 0.3% of camera lenses.
Lens diameter
What it is: The widest outer diameter of the lens barrel.
When it matters: When grip comfort, filter size, or fit inside a tight camera bag matters to you.

Importance: MEDIUM

?
Weather sealing (splashproof)
What it is: Protective sealing intended to resist splashes, dust, and light environmental exposure.
When it matters: When you often shoot outdoors in light rain, dust, or changing conditions.

Importance: HIGH

yes
Sigma 18 50mm F 2 8 DC DN Contemporary supports weather sealing. 50.2% of camera lenses support weather sealing.
Partial sealing.
Metal mount
What it is: A lens mount made of metal rather than plastic for greater durability at the camera connection point.
When it matters: When durability matters because you change lenses often or use heavier gear for work.

Importance: HIGH

?
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DxOMark overall score
What it is: The combined DxOMark lens rating based on lab-tested optical performance.
When it matters: When you want a quick lab-based summary of overall optical performance before comparing lenses in detail.

Importance: HIGH

?
DxOMark sharpness score
What it is: The DxOMark subscore that reflects how much detail the lens can resolve across the frame.
When it matters: When fine detail matters for landscapes, product work, or high-resolution cameras.

Importance: HIGH

?
DxOMark transmission
What it is: The measured light transmission of the lens, expressed as T-stop rather than nominal f-number.
When it matters: When real light loss matters for exposure consistency in studio, cinema, or mixed-lens shoots.

Importance: MEDIUM

?
DxOMark distortion
What it is: The DxOMark metric that measures how much the lens bends straight lines away from their true shape.
When it matters: When straight lines matter in architecture, interiors, copy work, or product photography.

Importance: MEDIUM

?
DxOMark vignetting
What it is: The DxOMark measurement of corner darkening relative to the center of the image.
When it matters: When even corner brightness matters for skies, studio backdrops, or clean product shots.

Importance: MEDIUM

?
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Sigma 18 50mm F 2 8 DC DN Contemporary vs the average camera lens

  • 0.18 m shorter minimum focus distance
    Sigma 18 50mm F 2 8 DC DN Contemporary has a lower minimum focus distance than the average camera lens (0.1 m vs 0.3 m). The average lens has a minimum focus distance of 0.3 m.
    What it is: The shortest distance at which the lens can focus on a subject.
    When it matters: When you like shooting details, food, flowers, or products from a very short distance.

    Importance: MEDIUM

    Sigma 18 50mm F 2 8 DC DN Contemporary has a lower minimum focus distance than the average camera lens (0.1 m vs 0.3 m). The average lens has a minimum focus distance of 0.3 m.0.121 m vs 0.3 m
  • 17.5 mm shorter lens
    Sigma 18 50mm F 2 8 DC DN Contemporary is shorter than the average camera lens (74.5 mm vs 92 mm). The average lens has a length of 92 mm.
    What it is: The physical length of the lens body from mount to front edge.
    When it matters: When bag space, balance, or front clearance matters in a compact travel or video setup.

    Importance: HIGH

    Sigma 18 50mm F 2 8 DC DN Contemporary is shorter than the average camera lens (74.5 mm vs 92 mm). The average lens has a length of 92 mm.74.5 mm vs 92 mm
  • 1 more aspherical elements
    Sigma 18 50mm F 2 8 DC DN Contemporary has more aspherical elements than the average camera lens (3 vs 2). The average lens has 2 aspherical elements.
    What it is: Specially shaped lens elements used to reduce distortion and improve sharpness with fewer optical compromises.
    When it matters: When edge sharpness and lower distortion matter in wide-angle, travel, or everyday shooting.

    Importance: MEDIUM

    Sigma 18 50mm F 2 8 DC DN Contemporary has more aspherical elements than the average camera lens (3 vs 2). The average lens has 2 aspherical elements.3 vs 2
  • 0.17 x higher maximum reproduction ratio
    Sigma 18 50mm F 2 8 DC DN Contemporary has a higher maximum reproduction ratio than the average camera lens (0.4x vs 0.192x). The average lens has a maximum reproduction ratio of 0.192x.
    What it is: The highest magnification the lens can achieve when focusing at its closest distance.
    When it matters: When close-up magnification matters for macro work, textures, or small product details.

    Importance: MEDIUM

    Sigma 18 50mm F 2 8 DC DN Contemporary has a higher maximum reproduction ratio than the average camera lens (0.4x vs 0.192x). The average lens has a maximum reproduction ratio of 0.192x.0.357 x vs 0.192 x
  • 18.3% higher user score
    Sigma 18 50mm F 2 8 DC DN Contemporary has a higher user score than the average camera lens (9.57 vs 8.091).
    What it is: A rating that combines user reviews and the total number of reviews received by the camera lens.
    When it matters: When real-world owner satisfaction and review volume matter to your decision.
    Sigma 18 50mm F 2 8 DC DN Contemporary has a higher user score than the average camera lens (9.57 vs 8.091).9.57 vs 8.09
  • 8.1% better value for money
    Sigma 18 50mm F 2 8 DC DN Contemporary has a better value-for-money score than the average camera lens (7.94 vs 7.346).
    What it is: An indicator that combines the camera lens's overall rating with its cost.
    When it matters: When you want to know how much overall quality you get for the price.
    Sigma 18 50mm F 2 8 DC DN Contemporary has a better value-for-money score than the average camera lens (7.94 vs 7.346).7.94 vs 7.35
  • 1 more aspherical elements
    Sigma 18 50mm F 2 8 DC DN Contemporary has more aspherical elements than the average camera lens (3 vs 2). The average lens has 2 aspherical elements.
  • 0.18 m shorter minimum focus distance
    Sigma 18 50mm F 2 8 DC DN Contemporary has a lower minimum focus distance than the average camera lens (0.1 m vs 0.3 m). The average lens has a minimum focus distance of 0.3 m.
  • 0.17 x higher maximum reproduction ratio
    Sigma 18 50mm F 2 8 DC DN Contemporary has a higher maximum reproduction ratio than the average camera lens (0.4x vs 0.192x). The average lens has a maximum reproduction ratio of 0.192x.
  • 17.5 mm shorter lens
    Sigma 18 50mm F 2 8 DC DN Contemporary is shorter than the average camera lens (74.5 mm vs 92 mm). The average lens has a length of 92 mm.
  • 2 fewer aperture blades
    Sigma 18 50mm F 2 8 DC DN Contemporary has fewer aperture blades than the average camera lens (7 vs 9). The average lens has 9 aperture blades.
  • 1 fewer low-dispersion elements
    Sigma 18 50mm F 2 8 DC DN Contemporary has fewer low-dispersion elements than the average camera lens (1 vs 2). The average lens has 2 low-dispersion elements.
  • 2 fewer aperture blades
    Sigma 18 50mm F 2 8 DC DN Contemporary has fewer aperture blades than the average camera lens (7 vs 9). The average lens has 9 aperture blades.
    What it is: The number of diaphragm blades that shape the aperture opening and influence blur rendering.
    When it matters: When the look of out-of-focus highlights matters in portraits, close-ups, or cinematic video.

    Importance: HIGH

    Sigma 18 50mm F 2 8 DC DN Contemporary has fewer aperture blades than the average camera lens (7 vs 9). The average lens has 9 aperture blades.7 vs 9
  • 1 fewer low-dispersion elements
    Sigma 18 50mm F 2 8 DC DN Contemporary has fewer low-dispersion elements than the average camera lens (1 vs 2). The average lens has 2 low-dispersion elements.
    What it is: Optical elements designed to reduce color fringing by controlling how different wavelengths focus.
    When it matters: When you want cleaner edges and less color fringing in high-contrast scenes.

    Importance: MEDIUM

    Sigma 18 50mm F 2 8 DC DN Contemporary has fewer low-dispersion elements than the average camera lens (1 vs 2). The average lens has 2 low-dispersion elements.1 vs 2

Graphic comparison of Sigma 18 50mm F 2 8 DC DN Contemporary and

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Third-party reviews

What customers like about Sigma 18 50mm F 2 8 DC DN Contemporary?

  • Extremely compact and lightweight for a constant F2.8 zoom
  • Excellent sharpness throughout the focal range
  • Great value for money compared to first-party alternatives
  • Impressive close-focusing ability (1:2.8 magnification)
  • Fast and near-silent stepping motor autofocus
  • Constant F2.8 aperture provides good low-light performance
  • Solid build quality with a dust and splash-resistant mount

What customers dislike about Sigma 18 50mm F 2 8 DC DN Contemporary?

  • Lack of built-in optical image stabilization (OIS)
  • Noticeable barrel distortion at the wide end (18mm) without corrections
  • Struggles with flare and ghosting in harsh lighting conditions
  • Small manual focus ring can be difficult to use
  • No physical aperture ring or external buttons on the barrel
  • Corners are slightly softer at the maximum focal length (50mm)

Expert reviews

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amateurphotographer.com
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dustinabbott.net
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uk.pcmag.com
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the-digital-picture.com
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digitalkamera.de
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stephan-forstmann.de
11/03/2026
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flokugrafie.de
30/04/2023
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zielfoto.com
28/12/2025
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phototrend.fr
17/08/2023
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L
les-guides-fujifilm.com
22/11/2022
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mxv.be
04/02/2024
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gregorymignard.com
20/06/2024
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fujistas.com
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photolari.com
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digitalcamaralens.com
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nadir.it
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fotonerd.it
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24/11/2021
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Video reviews

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