Name: Tokina atx-i Pro 11 16mm F 2 8 CF
Brand: Tokina

Best prices in UK

Best rankings

#207 in Best Wide Angle Lenses
#510 in Best Camera Lenses

Verdict

The Tokina atx-i 11-16mm f/2.8 CF is an ultra-wide-angle zoom lens designed for APS-C format DSLR cameras, offering an angle of view spanning 104° to 82° and a 35mm equivalent focal length range of 17.6-25.6mm. Constructed with 13 optical elements in 11 groups—including two aspherical and two SD low-dispersion glasses—it weighs 555 grams, utilizes a 77mm filter thread, and features a constant f/2.8 maximum aperture paired with an 9-blade diaphragm. Key advantages include an internal zooming and focusing mechanism that maintains a fixed lens length, excellent central sharpness, low geometric distortion, and a One-Touch Focus Clutch mechanism for rapid switching between autofocus and manual focus. However, its primary drawbacks are a restrictive 1.45x zoom range, soft performance at the extreme corners of the frame, lack of image stabilization, noticeable lateral chromatic aberration in high-contrast situations, and a somewhat noisy autofocus micro-motor.

Technical Specifications of Tokina atx-i Pro 11 16mm F 2 8 CF

Overall score

7.3

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Popularity

What it is: An indicator based on the number of reviews received by the camera lens.

When it matters: When you want to see which camera lenses attract the most buyer attention and review activity.

Mount & Format

1.0

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Lens type

What it is: The optical category that indicates whether the lens is a prime, zoom, macro, fisheye, or another design.

When it matters: When you are choosing between a prime, zoom, macro, or specialty lens for the kind of subjects you shoot.

Importance: LOW

wide-angle zoom

Lens mount

What it is: The mechanical and electronic interface that determines which cameras the lens can be attached to.

When it matters: When camera compatibility and access to the right lens ecosystem are central to your buying decision.

Importance: LOW

Canon EF, Nikon F

Sensor format coverage

What it is: The largest sensor size the lens is designed to cover without severe vignetting.

When it matters: When you need the lens to fully cover your camera sensor without heavy corner darkening.

Importance: LOW

APS-C

Filter thread size

What it is: The diameter of the front filter thread used for screw-in filters and compatible accessories.

When it matters: When you plan to use screw-in filters such as polarizers, ND filters, or protective glass.

Importance: LOW

77 mm

Teleconverter compatibility

What it is: Whether the lens can be used with compatible teleconverters to extend focal length.

When it matters: When you want to extend reach for wildlife or sports without changing to a different long lens.

Importance: HIGH

Optics & Aperture

8.1

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Minimum focal length

What it is: The shortest focal length the lens can provide, which determines its widest framing.

When it matters: When wide framing matters for landscapes, interiors, architecture, or travel shots.

Importance: LOW

11 mm

Maximum focal length

What it is: The longest focal length the lens can reach, which determines its telephoto reach.

When it matters: When you need more reach for wildlife, sports, stage events, or distant details.

Importance: LOW

16 mm

Optical zoom

What it is: The ratio between the longest and shortest focal lengths available in the lens zoom range.

When it matters: When you want one lens to cover a broader range of compositions without swapping glass.

Importance: LOW

1.5x

Maximum angle of view

What it is: The widest scene the lens can capture at its shortest focal length.

When it matters: When you need to fit more of a room, skyline, or landscape into the frame.

Importance: LOW

104 °

Minimum angle of view

What it is: The narrowest scene the lens captures at its longest focal length.

When it matters: When you want tighter framing on faraway subjects without moving closer.

Importance: LOW

82 °

Focus & Controls

4.8

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Focus motor

What it is: The autofocus drive system responsible for moving lens elements into focus.

When it matters: When fast, quiet autofocus matters for video, wildlife, street shots, or moving subjects.

Importance: LOW

DC motor

Minimum focus distance

What it is: The shortest distance at which the lens can focus on a subject.

When it matters: When you like shooting details, food, flowers, or products from a very short distance.

Importance: MEDIUM

Maximum reproduction ratio

What it is: The highest magnification the lens can achieve when focusing at its closest distance.

When it matters: When close-up magnification matters for macro work, textures, or small product details.

Importance: MEDIUM

Full-time manual focus

What it is: The ability to adjust focus manually without leaving autofocus mode.

When it matters: When you want to fine-tune focus instantly without switching out of autofocus.

Importance: HIGH

Internal focusing

What it is: A focusing design in which internal elements move while the outer barrel length stays unchanged.

When it matters: When you use polarizers, gimbals, or close-up setups that benefit from a lens that does not extend while focusing.

Importance: HIGH

Stabilization

4.2

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Optical image stabilization

What it is: A hardware system that shifts optical elements to counteract camera shake and reduce blur.

When it matters: When you want steadier handheld shots and less blur, especially in low light or at longer focal lengths.

Importance: HIGH

Stabilization effectiveness (CIPA stops)

What it is: The rated stabilizer benefit, measured in stops, under CIPA testing standards.

When it matters: When you are comparing stabilized lenses and want to know how much handheld shutter-speed advantage they offer.

Importance: HIGH

Build & Handling

7.1

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Weight

What it is: The total mass of the lens, affecting portability and handling balance on the camera body.

When it matters: When you carry a lens all day for travel, hiking, or event coverage and want to keep your kit manageable.

Importance: HIGH

Lens length

What it is: The physical length of the lens body from mount to front edge.

When it matters: When bag space, balance, or front clearance matters in a compact travel or video setup.

Importance: HIGH

Lens diameter

What it is: The widest outer diameter of the lens barrel.

When it matters: When grip comfort, filter size, or fit inside a tight camera bag matters to you.

Importance: MEDIUM

Weather sealing (splashproof)

What it is: Protective sealing intended to resist splashes, dust, and light environmental exposure.

When it matters: When you often shoot outdoors in light rain, dust, or changing conditions.

Importance: HIGH

Metal mount

What it is: A lens mount made of metal rather than plastic for greater durability at the camera connection point.

When it matters: When durability matters because you change lenses often or use heavier gear for work.

Importance: HIGH

Lab Scores

9.0

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DxOMark overall score

What it is: The combined DxOMark lens rating based on lab-tested optical performance.

When it matters: When you want a quick lab-based summary of overall optical performance before comparing lenses in detail.

Importance: HIGH

DxOMark sharpness score

What it is: The DxOMark subscore that reflects how much detail the lens can resolve across the frame.

When it matters: When fine detail matters for landscapes, product work, or high-resolution cameras.

Importance: HIGH

DxOMark transmission

What it is: The measured light transmission of the lens, expressed as T-stop rather than nominal f-number.

When it matters: When real light loss matters for exposure consistency in studio, cinema, or mixed-lens shoots.

Importance: MEDIUM

DxOMark distortion

What it is: The DxOMark metric that measures how much the lens bends straight lines away from their true shape.

When it matters: When straight lines matter in architecture, interiors, copy work, or product photography.

Importance: MEDIUM

DxOMark vignetting

What it is: The DxOMark measurement of corner darkening relative to the center of the image.

When it matters: When even corner brightness matters for skies, studio backdrops, or clean product shots.

Importance: MEDIUM

Tokina atx-i Pro 11 16mm F 2 8 CF vs the average camera lens

Why is Tokina atx-i Pro 11 16mm F 2 8 CF better than the average camera lens?

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Has focus distance scale
Tokina atx-i Pro 11 16mm F 2 8 CF has a focus distance scale, the average camera lens does not. 48.6% of camera lenses include a focus distance scale.
What it is: A marked scale that shows the approximate focus distance set on the lens.
When it matters: When you pre-focus manually for street, zone focusing, or repeatable tripod setups.
Importance: MEDIUM
Tokina atx-i Pro 11 16mm F 2 8 CF has a focus distance scale, the average camera lens does not. 48.6% of camera lenses include a focus distance scale.
Has internal zoom
Tokina atx-i Pro 11 16mm F 2 8 CF has internal zoom, the average camera lens does not. 10% of camera lenses support internal zoom.
Maintains length during zooming.
What it is: A zoom design that changes focal length without extending the outer barrel.
When it matters: When balance on a gimbal or tripod matters and you do not want the lens length to change while zooming.
Importance: LOW
Tokina atx-i Pro 11 16mm F 2 8 CF has internal zoom, the average camera lens does not. 10% of camera lenses support internal zoom.
Newer release date
Tokina atx-i Pro 11 16mm F 2 8 CF was released more recently than the average camera lens.
November 2019
What it is: The date when the lens model was first officially introduced.
When it matters: When you prefer a newer optical design with more modern autofocus, coatings, or stabilization features.
Importance: LOW
Tokina atx-i Pro 11 16mm F 2 8 CF was released more recently than the average camera lens.2019 vs 2016
Has focus distance scale
Tokina atx-i Pro 11 16mm F 2 8 CF has a focus distance scale, the average camera lens does not. 48.6% of camera lenses include a focus distance scale.
Has internal zoom
Tokina atx-i Pro 11 16mm F 2 8 CF has internal zoom, the average camera lens does not. 10% of camera lenses support internal zoom.
Newer release date
Tokina atx-i Pro 11 16mm F 2 8 CF was released more recently than the average camera lens.

Total

Focus & Controls

Build & Handling

Why is Tokina atx-i Pro 11 16mm F 2 8 CF worse than the average camera lens?

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No full-time manual focus
Tokina atx-i Pro 11 16mm F 2 8 CF does not support full-time manual focus, the average camera lens does. 68.4% of camera lenses support full-time manual focus.
0.11 x lower maximum reproduction ratio
Tokina atx-i Pro 11 16mm F 2 8 CF has a lower maximum reproduction ratio than the average camera lens (0.1x vs 0.192x). The average lens has a maximum reproduction ratio of 0.192x.
Not weather-sealed
Tokina atx-i Pro 11 16mm F 2 8 CF does not support weather sealing, the average camera lens does. 50.3% of camera lenses support weather sealing.
7 mm wider lens barrel
Tokina atx-i Pro 11 16mm F 2 8 CF is wider than the average camera lens (84 mm vs 77 mm). The average lens has a diameter of 77 mm.
Not weather-sealed
Tokina atx-i Pro 11 16mm F 2 8 CF does not support weather sealing, the average camera lens does. 50.3% of camera lenses support weather sealing.
What it is: Protective sealing intended to resist splashes, dust, and light environmental exposure.
When it matters: When you often shoot outdoors in light rain, dust, or changing conditions.
Importance: HIGH
Tokina atx-i Pro 11 16mm F 2 8 CF does not support weather sealing, the average camera lens does. 50.3% of camera lenses support weather sealing.
No full-time manual focus
Tokina atx-i Pro 11 16mm F 2 8 CF does not support full-time manual focus, the average camera lens does. 68.4% of camera lenses support full-time manual focus.
What it is: The ability to adjust focus manually without leaving autofocus mode.
When it matters: When you want to fine-tune focus instantly without switching out of autofocus.
Importance: HIGH
Tokina atx-i Pro 11 16mm F 2 8 CF does not support full-time manual focus, the average camera lens does. 68.4% of camera lenses support full-time manual focus.
7 mm wider lens barrel
Tokina atx-i Pro 11 16mm F 2 8 CF is wider than the average camera lens (84 mm vs 77 mm). The average lens has a diameter of 77 mm.
What it is: The widest outer diameter of the lens barrel.
When it matters: When grip comfort, filter size, or fit inside a tight camera bag matters to you.
Importance: MEDIUM
Tokina atx-i Pro 11 16mm F 2 8 CF is wider than the average camera lens (84 mm vs 77 mm). The average lens has a diameter of 77 mm.84 mm vs 77 mm
0.11 x lower maximum reproduction ratio
Tokina atx-i Pro 11 16mm F 2 8 CF has a lower maximum reproduction ratio than the average camera lens (0.1x vs 0.192x). The average lens has a maximum reproduction ratio of 0.192x.
What it is: The highest magnification the lens can achieve when focusing at its closest distance.
When it matters: When close-up magnification matters for macro work, textures, or small product details.
Importance: MEDIUM
Tokina atx-i Pro 11 16mm F 2 8 CF has a lower maximum reproduction ratio than the average camera lens (0.1x vs 0.192x). The average lens has a maximum reproduction ratio of 0.192x.0.086 x vs 0.192 x

Total

Focus & Controls

Build & Handling

Graphic comparison of Tokina atx-i Pro 11 16mm F 2 8 CF and

Attribute category

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Third-party reviews

United Kingdom

United States

(Reviews last updated: July 2026)

What customers like about Tokina atx-i Pro 11 16mm F 2 8 CF?

Extremely sharp from edge-to-edge, especially when stopped down
Constant f/2.8 aperture is excellent for low-light and astrophotography
Minimal distortion for an ultra-wide angle zoom
Improved coatings significantly reduce flare and ghosting compared to previous versions
Robust build quality with a useful one-touch focus clutch mechanism
Great value for money, often found at a lower price point than competitors

What customers dislike about Tokina atx-i Pro 11 16mm F 2 8 CF?

Slightly soft at the widest 11mm setting, particularly wide open at f/2.8
Limited zoom range (11-16mm is very tight)
Older design updated rather than a completely new optical formula
Autofocus can be noisy or slow on certain camera bodies

Expert reviews

digitalcameraworld.com

03/09/2022

Summary of the review

Tokina ATX-i 11-16mm f/2.8 CF review Digital Camera World

Performance and Specifications The Tokina ATX-i 11-16mm f/2.8 CF is an ultra-wide-angle zoom lens designed for Canon EF and Nikon F mount APS-C format DSLRs. It features an optical construction of 13 elements in 11 groups, a 9-blade diaphragm, and a 77mm filter thread. Its standout feature is the fast, constant f/2.8 maximum aperture. However, it offers a restrictive 1.45x zoom range, which equates to an effective focal length of 16.5-24mm on Nikon and 17.6-25.6mm on Canon bodies. The lens also includes Tokina's One-Touch Focus Clutch Mechanism for snapping between autofocus and manual focus modes. Pros and Cons The review highlights excellent center-sharpness across all focal lengths, even when shooting wide-open at f/2.8. The lens is praised for its strong, solid build quality while remaining relatively compact and lightweight. On the downside, edge-sharpness is comparatively disappointing unless you stop down the aperture. Users will encounter noticeable color fringing (chromatic aberration) at wide apertures—particularly at the short end and around 15mm—as well as distinct barrel distortion in the shorter half of the zoom range. Additionally, the push-pull focus clutch mechanism can...

zielfoto.com

No exact date available

Summary of the review

Tokina atx-i Pro 11-16mm F2.8 CF - Review and User Ratings

The Tokina atx-i Pro 11-16mm F2.8 CF is a fast, ultra-wide-angle zoom lens designed for APS-C cameras that balances solid performance with an affordable price point, earning a 4.1 out of 5-star community rating. Reviewers highly praise its fast, constant f/2.8 aperture, making it exceptionally well-suited for landscape, architectural, and astrophotography, including capturing northern lights. Central sharpness is excellent even wide open at f/2.8, and the physical build features a durable metal mount, a unique push-pull focus ring mechanism for switching between auto and manual focus, and an exceptionally secure front lens cap. Furthermore, the autofocus is described as quick and reliable for static scenes, and the optics present low distortion. On the downside, users note that the lens suffers from visible edge softness at wide apertures, though stopping down to f/4 or f/5.6 resolves the issue. It is also prone to significant chromatic aberrations (colour fringing) along the image borders and ghosting when shooting into strong backlighting. Physically, the lens is described as bulky, clunky, and heavy, utilizing a predominantly plastic outer shell that can feel cheap to some...

digitalcamaralens.com

27/07/2026

Summary of the review

Tokina 11-16mm f/2.8 AT-X i CF Review

in english language, be very specific, mention pros and cons inside You sent: 1 tab and said: 2 paragraphs summary of this review in english language, be very specific, mention pros and cons inside TOKINA 11-16 mm f/2.8 AT-X i CF - Prueba - Review - Test 2 paragraphs summary of this review in english language, be very specific, mention pros and cons inside

canonistas.com

10/02/2020

Summary of the review

New Tokina 11-16mm F2.8 ATX-I CF: Has anyone tried it?

Forum Overview and Pros The provided Canonistas forum thread features a community discussion evaluating the Tokina atx-i 11-16mm f/2.8 CF ultra-wide-angle lens for APS-C cameras. Users highlight the lens's excellent sharpness, optical clarity, and low-light capabilities stemming from its bright, constant f/2.8 maximum aperture. The primary internal advantages discussed include Tokina's inclusion of SD low-dispersion glass to minimize dispersion, chromatic aberration, and astigmatism. Furthermore, users note that the updated "i" (interactive) version introduces a useful water-repellent front coating and offers a modern cosmetic redesign over previous versions. Identified Cons and Performance Flaws Despite its optical strengths, the forum community raises significant concerns regarding severe lens flare and ghosting when bright light sources, like the sun, are included in the frame. Multiple users confirm that this lack of resistance to flare is a historical, unresolved issue across Tokina's 11-16mm lineup. Additional cons discussed include a restrictive and very short zoom range and the omission of a USB dock connection for firmware updates and micro-adjustments. Users also note that the MTF sharpness curves are essentially a "facelift" of the older Version II...

focus-review.com

31/03/2020

Summary of the review

Tokina AT-X I 11-16mm f/2.8 Review - Focus under the lens

This review focuses on the Tokina atx-i 11-16mm F2.8 CF, a robustly built ultra-wide-angle zoom lens designed for APS-C DSLR and mirrorless cameras. Evaluated using a Sony A7R IV in APS-C crop mode, this modernized lens updates its predecessor's outdated exterior while maintaining a solid, metal-heavy build that weighs over 550 grams. The reviewer notes that while the autofocus is not the fastest in its class, the unique "focus clutch" mechanism allows users to quickly switch between autofocus and manual focus by snapping the focus ring back and forth. Image performance is generally impressive, showing very high central sharpness at the widest 11mm focal length right from the maximum f/2.8 aperture, alongside notably low vignetting for an ultra-wide lens. A standout feature highlighted for video creators is the complete absence of focus breathing, keeping the framing consistent as the focus changes. This is paired with an attractive, budget-friendly price point and a constant f/2.8 brightness that is rare for its segment. On the downside, the lens suffers from roughly 3.5% barrel distortion at 11mm, though it is less problematic in...

Tokina atx-i Pro 11 16mm F 2 8 CF Review | 54 Data compared

Best prices in UK

Best prices in US

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Verdict

Technical Specifications of Tokina atx-i Pro 11 16mm F 2 8 CF

Tokina atx-i Pro 11 16mm F 2 8 CF vs the average camera lens

Why is Tokina atx-i Pro 11 16mm F 2 8 CF better than the average camera lens?

Why is Tokina atx-i Pro 11 16mm F 2 8 CF worse than the average camera lens?

Graphic comparison of Tokina atx-i Pro 11 16mm F 2 8 CF and

Third-party reviews

What customers like about Tokina atx-i Pro 11 16mm F 2 8 CF?

What customers dislike about Tokina atx-i Pro 11 16mm F 2 8 CF?

Expert reviews

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