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Sigma 70 300mm F4 5 6 DG Macro Review | 54 Data compared

Avg. price in UK: ~£70
Avg. price in US: ~$100
Lens mount: Canon EF, Nikon F, Sony A, Pentax K, Sigma SA
Maximum focal length: 300 mm
Maximum aperture (telephoto end): 5.6
Optical image stabilization: no
Maximum angle of view: 34.3 °

Sigma 70 300mm F4 5 6 DG Macro review. Compare 54 technical specifications and user reviews to see how it ranks among camera lenses and if it is worth buying.

6.6

Good

5.9

Good

9.1

Exceptional

7.0
Low-light photography
Score components:
70.0%
9.5
Maximum aperture (telephoto end)
30.0%
1.0
Optical image stabilization
4.8
Travel
Score components:
30.0%
8.1
Lens length
25.0%
7.7
Lens diameter
25.0%
1.0
Weather sealing (splashproof)
20.0%
1.0
Optical image stabilization

Best prices in UK

Best rankings

#201 in Best Telephoto Lenses
#783 in Best Camera Lenses

Verdict

The Sigma 70-300mm f/4-5.6 DG Macro is a versatile telephoto zoom lens designed for full-frame and APS-C DSLRs, featuring an optical construction of 14 elements in 10 groups with Special Low Dispersion (SLD) glass to minimize chromatic aberration. Its primary characteristic is a dedicated macro switch usable between 200mm and 300mm, enabling a 1:2 maximum magnification ratio and a minimum focusing distance of 95cm. Key pros include its lightweight, compact design, a 9-blade diaphragm for smooth bokeh, and Super Multi-Layer Coating to reduce flare and ghosting. However, notable cons include the lack of optical image stabilization, a loud and relatively slow autofocus motor, and a rotating front element that complicates the use of polarizing filters.

Technical Specifications of Sigma 70 300mm F4 5 6 DG Macro

Overall score

6.6

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Popularity

What it is: An indicator based on the number of reviews received by the camera lens.

When it matters: When you want to see which camera lenses attract the most buyer attention and review activity.

Mount & Format

1.0

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Lens type

What it is: The optical category that indicates whether the lens is a prime, zoom, macro, fisheye, or another design.

When it matters: When you are choosing between a prime, zoom, macro, or specialty lens for the kind of subjects you shoot.

Importance: LOW

macro

Lens mount

What it is: The mechanical and electronic interface that determines which cameras the lens can be attached to.

When it matters: When camera compatibility and access to the right lens ecosystem are central to your buying decision.

Importance: LOW

Canon EF, Nikon F, Sony A, Pentax K, Sigma SA

Sensor format coverage

What it is: The largest sensor size the lens is designed to cover without severe vignetting.

When it matters: When you need the lens to fully cover your camera sensor without heavy corner darkening.

Importance: LOW

Full-frame

Filter thread size

What it is: The diameter of the front filter thread used for screw-in filters and compatible accessories.

When it matters: When you plan to use screw-in filters such as polarizers, ND filters, or protective glass.

Importance: LOW

58 mm

Teleconverter compatibility

What it is: Whether the lens can be used with compatible teleconverters to extend focal length.

When it matters: When you want to extend reach for wildlife or sports without changing to a different long lens.

Importance: HIGH

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Optics & Aperture

8.0

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Minimum focal length

What it is: The shortest focal length the lens can provide, which determines its widest framing.

When it matters: When wide framing matters for landscapes, interiors, architecture, or travel shots.

Importance: LOW

70 mm

Maximum focal length

What it is: The longest focal length the lens can reach, which determines its telephoto reach.

When it matters: When you need more reach for wildlife, sports, stage events, or distant details.

Importance: LOW

300 mm

Optical zoom

What it is: The ratio between the longest and shortest focal lengths available in the lens zoom range.

When it matters: When you want one lens to cover a broader range of compositions without swapping glass.

Importance: LOW

4.3x

Maximum angle of view

What it is: The widest scene the lens can capture at its shortest focal length.

When it matters: When you need to fit more of a room, skyline, or landscape into the frame.

Importance: LOW

34.3 °

Minimum angle of view

What it is: The narrowest scene the lens captures at its longest focal length.

When it matters: When you want tighter framing on faraway subjects without moving closer.

Importance: LOW

8.2 °

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Focus & Controls

2.8

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Focus motor

What it is: The autofocus drive system responsible for moving lens elements into focus.

When it matters: When fast, quiet autofocus matters for video, wildlife, street shots, or moving subjects.

Importance: LOW

DC motor, ultrasonic motor

Minimum focus distance

What it is: The shortest distance at which the lens can focus on a subject.

When it matters: When you like shooting details, food, flowers, or products from a very short distance.

Importance: MEDIUM

Maximum reproduction ratio

What it is: The highest magnification the lens can achieve when focusing at its closest distance.

When it matters: When close-up magnification matters for macro work, textures, or small product details.

Importance: MEDIUM

Full-time manual focus

What it is: The ability to adjust focus manually without leaving autofocus mode.

When it matters: When you want to fine-tune focus instantly without switching out of autofocus.

Importance: HIGH

Internal focusing

What it is: A focusing design in which internal elements move while the outer barrel length stays unchanged.

When it matters: When you use polarizers, gimbals, or close-up setups that benefit from a lens that does not extend while focusing.

Importance: HIGH

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Stabilization

4.2

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Optical image stabilization

What it is: A hardware system that shifts optical elements to counteract camera shake and reduce blur.

When it matters: When you want steadier handheld shots and less blur, especially in low light or at longer focal lengths.

Importance: HIGH

Stabilization effectiveness (CIPA stops)

What it is: The rated stabilizer benefit, measured in stops, under CIPA testing standards.

When it matters: When you are comparing stabilized lenses and want to know how much handheld shutter-speed advantage they offer.

Importance: HIGH

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Build & Handling

6.8

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Weight

What it is: The total mass of the lens, affecting portability and handling balance on the camera body.

When it matters: When you carry a lens all day for travel, hiking, or event coverage and want to keep your kit manageable.

Importance: HIGH

Lens length

What it is: The physical length of the lens body from mount to front edge.

When it matters: When bag space, balance, or front clearance matters in a compact travel or video setup.

Importance: HIGH

Lens diameter

What it is: The widest outer diameter of the lens barrel.

When it matters: When grip comfort, filter size, or fit inside a tight camera bag matters to you.

Importance: MEDIUM

Weather sealing (splashproof)

What it is: Protective sealing intended to resist splashes, dust, and light environmental exposure.

When it matters: When you often shoot outdoors in light rain, dust, or changing conditions.

Importance: HIGH

Metal mount

What it is: A lens mount made of metal rather than plastic for greater durability at the camera connection point.

When it matters: When durability matters because you change lenses often or use heavier gear for work.

Importance: HIGH

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Lab Scores

5.7

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DxOMark overall score

What it is: The combined DxOMark lens rating based on lab-tested optical performance.

When it matters: When you want a quick lab-based summary of overall optical performance before comparing lenses in detail.

Importance: HIGH

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DxOMark sharpness score

What it is: The DxOMark subscore that reflects how much detail the lens can resolve across the frame.

When it matters: When fine detail matters for landscapes, product work, or high-resolution cameras.

Importance: HIGH

DxOMark transmission

What it is: The measured light transmission of the lens, expressed as T-stop rather than nominal f-number.

When it matters: When real light loss matters for exposure consistency in studio, cinema, or mixed-lens shoots.

Importance: MEDIUM

DxOMark distortion

What it is: The DxOMark metric that measures how much the lens bends straight lines away from their true shape.

When it matters: When straight lines matter in architecture, interiors, copy work, or product photography.

Importance: MEDIUM

DxOMark vignetting

What it is: The DxOMark measurement of corner darkening relative to the center of the image.

When it matters: When even corner brightness matters for skies, studio backdrops, or clean product shots.

Importance: MEDIUM

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Sigma 70 300mm F4 5 6 DG Macro vs the average camera lens

Why is Sigma 70 300mm F4 5 6 DG Macro better than the average camera lens?

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Has focus distance scale
Sigma 70 300mm F4 5 6 DG Macro has a focus distance scale, the average camera lens does not. 48.6% of camera lenses include a focus distance scale.
What it is: A marked scale that shows the approximate focus distance set on the lens.
When it matters: When you pre-focus manually for street, zone focusing, or repeatable tripod setups.
Importance: MEDIUM
Sigma 70 300mm F4 5 6 DG Macro has a focus distance scale, the average camera lens does not. 48.6% of camera lenses include a focus distance scale.
Has focus limiter switch
Sigma 70 300mm F4 5 6 DG Macro has a focus limiter switch, the average camera lens does not. 16.4% of camera lenses include a focus limiter switch.
What it is: A control that restricts the focus range to improve autofocus speed and reduce hunting.
When it matters: When autofocus speed matters and you want to stop the lens from hunting through its full focus range.
Importance: LOW
Sigma 70 300mm F4 5 6 DG Macro has a focus limiter switch, the average camera lens does not. 16.4% of camera lenses include a focus limiter switch.
0.31 x higher maximum reproduction ratio
Sigma 70 300mm F4 5 6 DG Macro has a higher maximum reproduction ratio than the average camera lens (0.5x vs 0.192x). The average lens has a maximum reproduction ratio of 0.192x.
What it is: The highest magnification the lens can achieve when focusing at its closest distance.
When it matters: When close-up magnification matters for macro work, textures, or small product details.
Importance: MEDIUM
Sigma 70 300mm F4 5 6 DG Macro has a higher maximum reproduction ratio than the average camera lens (0.5x vs 0.192x). The average lens has a maximum reproduction ratio of 0.192x.0.5 x vs 0.192 x
0.1 % lower optical distortion
Sigma 70 300mm F4 5 6 DG Macro has a lower optical distortion than the average camera lens (0.2% vs 0.3%). The average lens has optical distortion of 0.3%.
What it is: The DxOMark metric that measures how much the lens bends straight lines away from their true shape.
When it matters: When straight lines matter in architecture, interiors, copy work, or product photography.
Importance: MEDIUM
Sigma 70 300mm F4 5 6 DG Macro has a lower optical distortion than the average camera lens (0.2% vs 0.3%). The average lens has optical distortion of 0.3%.0.2 % vs 0.3 %
7.57x cheaper
Sigma 70 300mm F4 5 6 DG Macro is cheaper than the average camera lens (£70 vs £530).
Sigma 70 300mm F4 5 6 DG Macro is cheaper than the average camera lens (£70 vs £530).£70 vs £530
Has focus distance scale
Sigma 70 300mm F4 5 6 DG Macro has a focus distance scale, the average camera lens does not. 48.6% of camera lenses include a focus distance scale.
Has focus limiter switch
Sigma 70 300mm F4 5 6 DG Macro has a focus limiter switch, the average camera lens does not. 16.4% of camera lenses include a focus limiter switch.
0.31 x higher maximum reproduction ratio
Sigma 70 300mm F4 5 6 DG Macro has a higher maximum reproduction ratio than the average camera lens (0.5x vs 0.192x). The average lens has a maximum reproduction ratio of 0.192x.
0.1 % lower optical distortion
Sigma 70 300mm F4 5 6 DG Macro has a lower optical distortion than the average camera lens (0.2% vs 0.3%). The average lens has optical distortion of 0.3%.

Focus & Controls

Why is Sigma 70 300mm F4 5 6 DG Macro worse than the average camera lens?

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2.8 higher f-number at telephoto end
Sigma 70 300mm F4 5 6 DG Macro has a dimmer maximum telephoto aperture than the average camera lens (f/5.6 vs f/2.8). The average lens has a maximum telephoto aperture of f/2.8.
2 fewer aspherical elements
Sigma 70 300mm F4 5 6 DG Macro has fewer aspherical elements than the average camera lens (0 vs 2). The average lens has 2 aspherical elements.
1 fewer low-dispersion elements
Sigma 70 300mm F4 5 6 DG Macro has fewer low-dispersion elements than the average camera lens (1 vs 2). The average lens has 2 low-dispersion elements.
No full-time manual focus
Sigma 70 300mm F4 5 6 DG Macro does not support full-time manual focus, the average camera lens does. 68.4% of camera lenses support full-time manual focus.
No internal focusing
Sigma 70 300mm F4 5 6 DG Macro does not support internal focusing, the average camera lens does. 83.7% of camera lenses support internal focusing.
Rotating front element
Sigma 70 300mm F4 5 6 DG Macro does not have a non-rotating front element, the average camera lens does. 97% of camera lenses have a non-rotating front element.
Not weather-sealed
Sigma 70 300mm F4 5 6 DG Macro does not support weather sealing, the average camera lens does. 50.3% of camera lenses support weather sealing.
30 mm longer lens
Sigma 70 300mm F4 5 6 DG Macro is longer than the average camera lens (122 mm vs 92 mm). The average lens has a length of 92 mm.
Older release date
Sigma 70 300mm F4 5 6 DG Macro was released earlier than the average camera lens.
June 2005
24.6 g heavier
Sigma 70 300mm F4 5 6 DG Macro is heavier than the average camera lens (550 g vs 525.4 g). The average lens weighs 525.4 g.
10 points lower DxOMark sharpness
Sigma 70 300mm F4 5 6 DG Macro has a lower DxOMark sharpness score than the average camera lens (6 vs 16). The average lens has a DxOMark sharpness score of 16.
2 T-stop higher transmission value
Sigma 70 300mm F4 5 6 DG Macro has a higher T-stop value than the average camera lens (5.1 T-stop vs 3.1 T-stop). The average lens has a T-stop value of 3.1 T-stop.
0.4 EV more vignetting
Sigma 70 300mm F4 5 6 DG Macro has more vignetting than the average camera lens (1.6 EV vs 1.2 EV). The average lens has vignetting of 1.2 EV.
Not weather-sealed
Sigma 70 300mm F4 5 6 DG Macro does not support weather sealing, the average camera lens does. 50.3% of camera lenses support weather sealing.
What it is: Protective sealing intended to resist splashes, dust, and light environmental exposure.
When it matters: When you often shoot outdoors in light rain, dust, or changing conditions.
Importance: HIGH
Sigma 70 300mm F4 5 6 DG Macro does not support weather sealing, the average camera lens does. 50.3% of camera lenses support weather sealing.
2.8 higher f-number at telephoto end
Sigma 70 300mm F4 5 6 DG Macro has a dimmer maximum telephoto aperture than the average camera lens (f/5.6 vs f/2.8). The average lens has a maximum telephoto aperture of f/2.8.
What it is: The widest aperture available at the long end of the zoom range, affecting light intake and background blur.
When it matters: When you shoot at the long end in low light or want stronger background blur for portraits and sports.
Importance: HIGH
Sigma 70 300mm F4 5 6 DG Macro has a dimmer maximum telephoto aperture than the average camera lens (f/5.6 vs f/2.8). The average lens has a maximum telephoto aperture of f/2.8.5.6 vs 2.8
No full-time manual focus
Sigma 70 300mm F4 5 6 DG Macro does not support full-time manual focus, the average camera lens does. 68.4% of camera lenses support full-time manual focus.
What it is: The ability to adjust focus manually without leaving autofocus mode.
When it matters: When you want to fine-tune focus instantly without switching out of autofocus.
Importance: HIGH
Sigma 70 300mm F4 5 6 DG Macro does not support full-time manual focus, the average camera lens does. 68.4% of camera lenses support full-time manual focus.
No internal focusing
Sigma 70 300mm F4 5 6 DG Macro does not support internal focusing, the average camera lens does. 83.7% of camera lenses support internal focusing.
What it is: A focusing design in which internal elements move while the outer barrel length stays unchanged.
When it matters: When you use polarizers, gimbals, or close-up setups that benefit from a lens that does not extend while focusing.
Importance: HIGH
Sigma 70 300mm F4 5 6 DG Macro does not support internal focusing, the average camera lens does. 83.7% of camera lenses support internal focusing.
10 points lower DxOMark sharpness
Sigma 70 300mm F4 5 6 DG Macro has a lower DxOMark sharpness score than the average camera lens (6 vs 16). The average lens has a DxOMark sharpness score of 16.
What it is: The DxOMark subscore that reflects how much detail the lens can resolve across the frame.
When it matters: When fine detail matters for landscapes, product work, or high-resolution cameras.
Importance: HIGH
Sigma 70 300mm F4 5 6 DG Macro has a lower DxOMark sharpness score than the average camera lens (6 vs 16). The average lens has a DxOMark sharpness score of 16.6 vs 16
2 T-stop higher transmission value
Sigma 70 300mm F4 5 6 DG Macro has a higher T-stop value than the average camera lens (5.1 T-stop vs 3.1 T-stop). The average lens has a T-stop value of 3.1 T-stop.
What it is: The measured light transmission of the lens, expressed as T-stop rather than nominal f-number.
When it matters: When real light loss matters for exposure consistency in studio, cinema, or mixed-lens shoots.
Importance: MEDIUM
Sigma 70 300mm F4 5 6 DG Macro has a higher T-stop value than the average camera lens (5.1 T-stop vs 3.1 T-stop). The average lens has a T-stop value of 3.1 T-stop.5.1 T-stop vs 3.1 T-stop
30 mm longer lens
Sigma 70 300mm F4 5 6 DG Macro is longer than the average camera lens (122 mm vs 92 mm). The average lens has a length of 92 mm.
What it is: The physical length of the lens body from mount to front edge.
When it matters: When bag space, balance, or front clearance matters in a compact travel or video setup.
Importance: HIGH
Sigma 70 300mm F4 5 6 DG Macro is longer than the average camera lens (122 mm vs 92 mm). The average lens has a length of 92 mm.122 mm vs 92 mm
Older release date
Sigma 70 300mm F4 5 6 DG Macro was released earlier than the average camera lens.
June 2005
What it is: The date when the lens model was first officially introduced.
When it matters: When you prefer a newer optical design with more modern autofocus, coatings, or stabilization features.
Importance: LOW
Sigma 70 300mm F4 5 6 DG Macro was released earlier than the average camera lens.2005 vs 2016

Optics & Aperture

Focus & Controls

Build & Handling

Graphic comparison of Sigma 70 300mm F4 5 6 DG Macro and

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Third-party reviews

United Kingdom

United States

(Reviews last updated: July 2026)

What customers like about Sigma 70 300mm F4 5 6 DG Macro?

Excellent value for money and highly affordable for budget-conscious photographers
Good, sturdy build quality featuring a solid construction
Decent optical performance and image sharpness for its price range, especially in good lighting
Versatile focal range suitable for portraits, wildlife, and nature photography
Useful 1:2 tele-macro capability that serves as a handy substitute for a dedicated close-up lens
Smooth and pleasing bokeh effects that create soft, out-of-focus backgrounds

What customers dislike about Sigma 70 300mm F4 5 6 DG Macro?

Lacks optical image stabilization, requiring a very steady hand or a tripod to avoid blur at longer focal lengths
Slow, clunky, and loud autofocus motor operation that can be audible in video recordings
Poor performance in low ambient light conditions, which leads to slow focusing and increased image noise
Inconsistent sharpness and noticeable softness when shooting wide open at the 300mm telephoto end
Fiddly or sticky macro switch mechanism that locks the zoom ring and can be awkward to disengage
Prone to chromatic aberrations (color fringing) and lens flaring against bright lights

Expert reviews

ephotozine.com

05/09/2005

Summary of the review

Sigma 70-300mm F/4-5.6 DG MacroGo to product viewer dialogue for this item. Interchangeable Lens Review

The Sigma 70-300mm f/4-5.6 DG Macro is an affordable, entry-level telephoto zoom featuring a versatile 1:2 macro mode, respectable sharpness for its price, and a decent, albeit audible, autofocus system. Key strengths include its cost-effectiveness, compact size, and good macro capability, making it suitable for budget-conscious photographers looking for extended reach. Significant drawbacks noted in the review include the rotating lens barrel during focusing, which complicates handling, and relatively slow autofocus, limiting its use for fast-action scenes. While optical performance is acceptable, the lens displays limitations compared to higher-end, faster options, but it remains a functional, cost-effective choice, as highlighted in the ePHOTOzine review of the Sigma 70-300mm f/4-5.6 DG Macro.

ephotozine.com

09/06/2005

Summary of the review

Sigma 70-300mm F4-5.6 DG MACRO launched

The Sigma 70-300mm f/4-5.6 DG Macro, introduced as a budget telephoto for DSLRs, offers 1:2 maximum magnification at 300mm for macro work, supported by specialized multi-layer coating to reduce digital sensor flare and improve color balance. While providing a versatile 300mm reach and a specific macro switch for close-up shooting, the lens lacks built-in image stabilization and features a slow, variable aperture of f/4 to f/5.6. Additional design limitations include a rotating front element and a lack of an ultrasonic motor, which can cause slower, louder autofocusing.

thomphotos.fr

NC

Summary of the review

Sigma 70-300mm F4-5.6 DG Macro lens review

The reviewed Sigma 70-300mm F4-5.6 DG Macro lens is a budget-friendly option priced under €150, making it an appealing choice for beginners on entry-level camera bodies. Key advantages include its compact, lightweight design, and a highly versatile zoom range coupled with a functional proxy-macro mode that delivers a 0.5x magnification ratio. Additionally, its common 58mm filter diameter makes purchasing extra filters highly affordable, and the lens conveniently includes a lens hood right out of the box. However, the reviewer highlights several prominent drawbacks, most notably a total lack of optical or electronic image stabilization, making it difficult to use at long focal lengths or in low-light environments. The autofocus is painfully slow and often fails to lock onto moving objects altogether, while the lens body itself easily attracts dust and sand. Optically, it struggles with frequent chromatic aberrations in high-contrast lighting. Its limited optical resolution also results in a severe, "catastrophic" drop in sharpness on any modern camera sensor exceeding 14 to 15 megapixels.

radojuva.com

15/06/2017

Summary of the review

Sigma 70-300mm f/4-5.6 Macro (Canon mount) review

The Radojuva review of the Sigma 70-300mm 1:4-5.6 characterizes this full-frame telephoto lens as an incredibly low-cost, budget-friendly option for amateur photographers. Key positives include its highly accessible price, built-in micro-motor for autofocus on entry-level cameras, and a specialized Macro switch offering a 1:2 magnification ratio. Conversely, major cons include a rotating and telescoping front element that complicates filter use, slow and noisy autofocus, and severe "focus breathing". Additionally, image quality degrades significantly past 200mm, requiring users to stop down the aperture to achieve adequate sharpness at 300mm.

photoklub.com

29/05/2018

Summary of the review

[TEST] Objectif Sigma 70-300 mm f/4-5.6 APO DG MACRO

The Sigma 70-300mm f/4-5.6 APO DG MACRO is a budget-friendly telephoto zoom lens tested on a full-frame Pentax K-1 camera, though it is also fully compatible with APS-C sensor bodies where it provides a 105-450mm equivalent focal range. Priced at an affordable €169, it stands out for its integrated macro switch that delivers a 1:2 magnification ratio between the 200mm and 300mm focal lengths, turning it into a highly capable option for close-up proxi-photography. Optically, the lens delivers impressively minimal distortion across its entire zoom spectrum and produces good overall image sharpness and contrast up to 200mm, heavily aided by its apochromatic (APO) glass design. Handling is also a notable plus, as the lens is lightweight at under 550g and features a smooth, wide zoom ring alongside a sturdy metal lens mount. However, the reviewer highlights several drawbacks, particularly its slow, variable maximum aperture that drops to f/5.6 at 300mm, making autofocus unreliable in low-light environments and limiting its usefulness for serious wildlife photography. Because it relies on the camera body's screw-drive mechanism for autofocus, the operation is remarkably noisy....

nadir.it

27/07/2026

Summary of the review

SIGMA 70-300mm f/4-5.6 DG MACRO - Nadir Magazine

The Sigma 70-300mm f/4-5.6 DG Macro is a highly accessible, budget-friendly telephoto zoom lens reviewed by Agostino Maiello in October 2009. Priced at around €150 at the time of the review, it is compatible with full-frame cameras and can act as an equivalent 100-450mm lens on APS-C bodies. The reviewer praises its solid build quality, well-balanced handling, and pleasant rubberised rings. Optically, the lens delivers virtually no distortion, neutral colour rendition, and good sharpness across the frame up to 200mm, especially when stopped down. It also features a fun, useful macro mode with a 1:2 magnification ratio activated via a switch when zoomed past 200mm. However, the lens has several notable drawbacks that reflect its low price point. Its most significant defect is a weak anti-reflective coating that heavily degrades image contrast and desaturates shots taken in backlit conditions, making direct head-on backlighting nearly impossible to shoot. Additionally, sharpness drops off slightly when extending beyond the 200mm focal length. Chronatic aberration, or purple fringing, is quite visible in high-contrast transitions. Finally, the lens lacks an internal autofocus motor, meaning autofocus...

tapatalk.com

09/03/2014

Summary of the review

Sigma 70-300mm f/4-5.6 Macro Review - Canon Club Italia

The Canon Club Italia review highlights the Sigma 70-300mm f/4-5.6 Macro as a budget-friendly option (approx. €130) that offers solid construction, a metal mount, and smooth operation. Positive aspects include the build quality and the inclusion of a high-quality lens hood. However, the lens suffers from significant functional drawbacks, including severe "lens creep" in manual focus mode, where the focus ring rotates under the weight of the lens, and issues with the zoom ring slipping, particularly when the hood is attached. While switching to autofocus mitigates the auto-rotating focus ring, the mechanical instability remains a noted limitation.

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