Sigma 24mm F 2 DG DN Contemporary Review | 54 Data compared

The Sigma 24mm F2 DG DN (iSeries) is a highly compact, premium wide-angle prime lens designed for Sony E-mount and Leica L-mount mirrorless cameras, offering a compelling alternative to bulkier lenses. Belonging to the higher tier of Sigma's iSeries, it features an all-metal alloy construction—including a metal lens hood—and physical controls like a manual focus ring, a transversely mounted AF/MF switch, and an aperture ring with precise one-third stop detents. Performance-wise, the stepping focus motor provides fast, quiet, and highly accurate autofocus for both stills and video, tracking eyes smoothly with minimal focus breathing. Optically, the lens delivers exceptional sharpness and high contrast across the frame even when shot wide open at F2, effectively handles chromatic aberrations, and boasts robust flare resistance and solid coma control for astrophotography. Despite its stellar performance, the lens has a few definitive trade-offs. Its most prominent drawback is a relatively high and complex barrel distortion that displays a slight mustache pattern, requiring digital profile corrections to flatten out straight lines. Additionally, its minimum focusing distance of 24.5cm results in a modest 0.15x maximum magnification...

The Sigma 24mm f2 DG DN is a fast, wide-angle prime lens designed for full-frame mirrorless cameras (Sony E and Leica L mounts) that delivers impressive sharpness from corner to corner, even when shooting wide-open at f/2. Part of Sigma's "I series," it features a high-quality aluminum body with a classy vintage design, a smooth manual focus ring, a tactile aperture ring, and a rubber-grommet weather seal at the mount. Compared to its f/3.5 counterpart and Sony’s 24mm f/2.8, this f/2 version offers visibly superior background separation and smoother bokeh rendering. Autofocus performance is swift, quiet, and reliable for both stills and 4K video tracking. Want to explore how this lens stacks up against the Sony 24mm G Master? Keen to check out the vlogging performance or see detailed sharpness test results? Let me know

The Sigma 24mm f2 DG DN Contemporary Lens Review highlights this optic as an exceptional, well-balanced wide-angle prime option for L-mount camera systems. The author, Patrick, heavily praises its outstanding all-metal build quality, which includes an aperture ring that clicks in third stops and tactile knurled surfaces, all while maintaining a remarkably compact, travel-friendly weight of 12.9 oz. In terms of field performance, the lens features a silent, fast, and highly accurate STM autofocus motor that paired perfectly with his Leica SL2 face-detection tracking. Optically, the lens delivers superb 3D pop, excellent contrast, and razor-sharp imagery from corner to corner even when shot wide open at f2, while its 9-blade rounded diaphragm provides beautifully smooth and creamy bokeh for a wide-angle lens. The comprehensive list of pros features its stellar image sharpness, rock-solid metal ergonomics, premium included accessories (like the metal lens hood and a novel magnetic lens cap), rapid autofocus, and highly competitive $639 retail price. Conversely, the review identifies very few cons, noting only a lack of built-in image stabilization—which the author deems unnecessary anyway—as well as expected...

The Sigma 24mm F2 DG DN Contemporary is an affordable, high-performing wide-angle lens designed for L-Mount and E-Mount full-frame mirrorless camera systems. Retailing at $639, it is part of Sigma's vintage-inspired "I Series," utilizing a robust aluminum construction and providing premium tactile elements like a physical aperture ring and an innovative magnetic lens cap. Optically, the lens excels by delivering crisp, sharp images at its maximum f/2 aperture, with resolution scaling up significantly down through f/11. Furthermore, its quiet, responsive autofocus makes it an excellent choice for low-light situations, night sky photography, and architectural interiors. However, the lens has several drawbacks, particularly for video creators, due to noticeable focus breathing, a clicked aperture ring, and a nonlinear manual focus response. It also lacks an anti-smudge fluorine coating, and its weather sealing is limited strictly to the lens mount rather than full-body protection. Additionally, it features a modest 1:6.7 macro magnification, meaning it cannot focus as closely as its sibling, the 24mm F3.5 Contemporary. Ultimately, while the premium $1,400 Sony FE 24mm F1.4 GM remains the top choice for professionals who...

The Sigma 24mm F2 DG DN I Contemporary is a high-quality, wide-angle prime lens designed for full-frame mirrorless L-Mount and E-Mount cameras. Weighing 360–365g and featuring an all-metal construction made of precision-cut aluminium, it delivers a surprisingly premium feel that transcends Sigma's entry-level "Contemporary" label. Optically, the lens offers exceptional sharpness and detail, particularly in the centre of the frame when shooting wide open at its bright f/2.0 aperture. Performance peaks between f/4 and f/5.6, where sharpness extends beautifully into the corners. It also features a quiet, rapid stepping motor for autofocus and a tactile, etched manual aperture ring. The lens boasts several major strengths, including a robust build, excellent center sharpness, a bright maximum aperture, and a compact, lightweight body that pairs well with mid-sized mirrorless systems. Additionally, it provides great value compared to premium alternatives like the Sony FE 24mm F1.4 GM. However, it has notable drawbacks. The uncorrected image suffers from strong vignetting and high barrel distortion, as the lens relies heavily on in-camera software corrections to keep its physical footprint small. It is also not fully...

The Sigma 24mm F2 DG DN Contemporary lens is a highly-rated wide-angle prime for mirrorless cameras featuring an all-metal build, fast autofocus, and exceptional sharpness, even at f/2. Key advantages include its compact, travel-friendly size, high-quality tactile feel, and smooth bokeh. On the downside, the lens exhibits notable barrel distortion and vignetting at f/2, which often require post-processing correction. Additionally, slight sharpness reduction in extreme corners and some localized ghosting when stopped down are observed.

The Sigma 24mm f/2 DG DN | Contemporary is a compact, lightweight premium prime lens designed for full-frame mirrorless cameras, specifically available in Sony E and Leica L mounts. Weighing 365g and measuring 70x72mm, its retro design features a robust, all-metal construction made of precision-machined aluminium, including a knurled focus ring, an aperture control ring, and an AF/MF focus mode switch. The optical design consists of 13 elements in 11 groups, featuring two SLD elements, one FLD element, and high-tech coatings to reduce ghosting and flare. Priced reasonably at $639 / £509 / AU$900, the lens delivers impressive edge-to-edge sharpness throughout its aperture range (f/2 to f/22), minimal color fringing, and highly accurate, virtually silent autofocus. It is highly recommended for landscapes, street photography, and close-ups, where its fast f/2 aperture produces beautiful, dreamy bokeh. The lens's primary advantages include its tough metal build quality, exceptionally strong optical performance, highly portable dimensions, and the inclusion of a physical aperture control ring. It also comes with a unique magnetic metal front cap alongside the standard plastic option. On the downside, the...

The Sigma 24mm F2 and 90mm F2.8 DG DN Contemporary lenses expand the "I Series" for full-frame mirrorless cameras, emphasizing high-quality metal construction, tactile aperture rings, and robust AF performance. Key advantages include compact form factors, effective weather sealing, and excellent handling, with the 90mm featuring minimal focus breathing. Optically, the 24mm F2 offers strong performance with low chromatic aberration and sharp sunstars. However, performance compromises include the 24mm's vulnerability to ghosting under bright, direct light and the 90mm's slightly smaller aperture compared to competitors.

The Sigma 24mm F2 DG DN Contemporary is a premium, all-metal wide-angle lens praised by PCMag for its exceptional build quality, including a tactile manual aperture ring and robust hood. It delivers stellar sharpness and high contrast across the frame at f/2, offering a quiet and responsive autofocus system suitable for stills and astrophotography. However, the review notes drawbacks for videographers, specifically evident focus breathing, a nonlinear manual focus response, and an aperture ring that cannot be de-clicked. Additionally, the lens lacks full weather sealing and the 1:2 macro capabilities found in the slower, sister 24mm f/3.5 model.

in english language, be very specific, mention pros and cons inside You sent: 1 tab and said: 2 paragraphs summary of this review in english language, be very specific, mention pros and cons inside digitaljournalofphotography.com File has been removed 2 paragraphs summary of this review in english language, be very specific, mention pros and cons inside

The SIGMA 24mm F2 DG DN Contemporary lens features an exceptionally high build quality typical of the "i Series," complete with a physical AF/MF switch and a dedicated aperture ring. The reviewer highlights its potential as part of a lightweight, low-budget "cine-style" lens set when paired with the 35mm and 50mm variants. Although the F2 aperture does not provide full-frame-level background blur on an APS-C sensor like the Sony FX30, the reviewer prefers this trade-off for video work because it ensures reliable focus over extreme bokeh. Furthermore, despite its placement in the budget-friendly Contemporary line, the lens delivers excellent sharpness and three-dimensional rendering. However, the lens comes with several design and practical limitations. A notable downside for videographers is the clicked design of the aperture ring, as the reviewer explicitly states a preference for a clickless design in video applications. Additionally, the physical layout presents an inconvenience for filter sharing across the intended lens trio; the 24mm lens uses a 62mm filter thread, whereas the matching 35mm and 50mm lenses both use a 58mm size, necessitating the use of step-up...