Sigma 35mm F 1 4 DG HSM Art Review | 54 Data compared

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  • Avg. price in UK: ~£660
  • Avg. price in US: ~$890
  • Lens mount: Canon EF, Nikon F, Sony A, Sony E, L-Mount, Pentax K, Sigma SA
  • Maximum focal length: 35 mm
  • Maximum aperture (telephoto end): 1.4
  • Optical image stabilization: no
  • Maximum angle of view: 63.4 °

Sigma 35mm F 1 4 DG HSM Art review. Compare 54 technical specifications and user reviews to see how it ranks among camera lenses and if it is worth buying.

7.2

Overall score

What it is: An overall evaluation of the camera lens's quality, based on technical analyses and user reviews.

When it matters: When you need a quick reference to identify the best camera lenses on the market.

Score components:

80.0%

7.2

Technical Score

20.0%

?

User score

Very good
7.2

Technical Score

What it is: An assessment of the camera lens's technical performance, covering eight key areas: sharpness, aperture flexibility, autofocus, stabilization, build quality, mount compatibility, close-focus performance, and design.

When it matters: When you want to compare camera lenses based on technical performance and available features.

Score components:

35.0%

8.5

Optics & Aperture

24.0%

6.9

Build & Handling

20.0%

6.3

Focus & Controls

10.0%

9.3

Lab Scores

8.0%

4.2

Stabilization

3.0%

1.0

Mount & Format

Very good
?

User score

What it is: A rating that combines user reviews and the total number of reviews received by the camera lens.

When it matters: When real-world owner satisfaction and review volume matter to your decision.

Score components:

70.0%

?

User reviews

30.0%

?

Popularity

  • 7.3
    Low-light photography

    Score components:

    70.0%

    10

    Maximum aperture (telephoto end)

    30.0%

    1.0

    Optical image stabilization

  • 4.9
    Travel

    Score components:

    30.0%

    8.6

    Lens length

    25.0%

    7.7

    Lens diameter

    25.0%

    1.0

    Weather sealing (splashproof)

    20.0%

    1.0

    Optical image stabilization

  • No image
No image

Best prices in UK

    N/A~ £660

Best rankings

?

Available: ranking among products currently available (including other versions of this product).
All: ranking among all products in the database.

Verdict

The Sigma 35mm f/1.4 DG HSM ArtGo to product viewer dialog for this item. is a premium wide-angle prime lens designed for full-frame cameras, featuring a sophisticated optical construction of 13 elements in 11 groups and a 9-blade rounded diaphragm for smooth bokeh. This lens is highly regarded for its exceptional sharpness even at the wide f/1.4 aperture, fast and quiet Hyper Sonic Motor (HSM) autofocus, and a minimum focusing distance of 30cm. Main pros include its robust build quality, excellent low-light performance, and minimal chromatic aberration thanks to FLD and SLD glass elements. However, common cons include its significant weight (approx. 665g), lack of native weather sealing on early mounts, and noticeable vignetting at f/1.4.

Technical Specifications of Sigma 35mm F 1 4 DG HSM Art

Technical Score

What it is: An assessment of the camera lens's technical performance, covering eight key areas: sharpness, aperture flexibility, autofocus, stabilization, build quality, mount compatibility, close-focus performance, and design.

When it matters: When you want to compare camera lenses based on technical performance and available features.

Score components:

35.0%

?

Optics & Aperture

24.0%

?

Build & Handling

20.0%

?

Focus & Controls

10.0%

?

Lab Scores

8.0%

?

Stabilization

3.0%

?

Mount & Format

7.2
Sigma 35mm F 1 4 DG HSM Art has a technical score of 7.18 points, which is higher than 51% of camera lenses.
User score

What it is: A rating that combines user reviews and the total number of reviews received by the camera lens.

When it matters: When real-world owner satisfaction and review volume matter to your decision.

Score components:

70.0%

0.0

User reviews

30.0%

1.0

Popularity

?
Popularity
What it is: An indicator based on the number of reviews received by the camera lens.
When it matters: When you want to see which camera lenses attract the most buyer attention and review activity.
1.0
Sigma 35mm F 1 4 DG HSM Art has a popularity of 1 points, which is lower than 90% of products in this category.
Ratio quality/price

What it is: An indicator that combines the camera lens's overall rating with its cost.

When it matters: When you want to know how much overall quality you get for the price.

Score components:

60.0%

7.2

Overall score

40.0%

7.0

Price

7.1
Sigma 35mm F 1 4 DG HSM Art has a quality-to-price ratio of 7.1 points, which is lower than 60.5% of products in this category.
Lens type
What it is: The optical category that indicates whether the lens is a prime, zoom, macro, fisheye, or another design.
When it matters: When you are choosing between a prime, zoom, macro, or specialty lens for the kind of subjects you shoot.

Importance: LOW

prime
Lens mount
What it is: The mechanical and electronic interface that determines which cameras the lens can be attached to.
When it matters: When camera compatibility and access to the right lens ecosystem are central to your buying decision.

Importance: LOW

Canon EF, Nikon F, Sony A, Sony E, L-Mount, Pentax K, Sigma SA
Sensor format coverage
What it is: The largest sensor size the lens is designed to cover without severe vignetting.
When it matters: When you need the lens to fully cover your camera sensor without heavy corner darkening.

Importance: LOW

Full-frame
Filter thread size
What it is: The diameter of the front filter thread used for screw-in filters and compatible accessories.
When it matters: When you plan to use screw-in filters such as polarizers, ND filters, or protective glass.

Importance: LOW

67 mm
Teleconverter compatibility
What it is: Whether the lens can be used with compatible teleconverters to extend focal length.
When it matters: When you want to extend reach for wildlife or sports without changing to a different long lens.

Importance: HIGH

no
Sigma 35mm F 1 4 DG HSM Art does not support teleconverters. 15.3% of camera lenses support teleconverters.
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Minimum focal length
What it is: The shortest focal length the lens can provide, which determines its widest framing.
When it matters: When wide framing matters for landscapes, interiors, architecture, or travel shots.

Importance: LOW

35 mm
Maximum focal length
What it is: The longest focal length the lens can reach, which determines its telephoto reach.
When it matters: When you need more reach for wildlife, sports, stage events, or distant details.

Importance: LOW

35 mm
Optical zoom
What it is: The ratio between the longest and shortest focal lengths available in the lens zoom range.
When it matters: When you want one lens to cover a broader range of compositions without swapping glass.

Importance: LOW

?
Maximum angle of view
What it is: The widest scene the lens can capture at its shortest focal length.
When it matters: When you need to fit more of a room, skyline, or landscape into the frame.

Importance: LOW

63.4 °
Minimum angle of view
What it is: The narrowest scene the lens captures at its longest focal length.
When it matters: When you want tighter framing on faraway subjects without moving closer.

Importance: LOW

63.4 °
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Focus motor
What it is: The autofocus drive system responsible for moving lens elements into focus.
When it matters: When fast, quiet autofocus matters for video, wildlife, street shots, or moving subjects.

Importance: LOW

HSM
Minimum focus distance
What it is: The shortest distance at which the lens can focus on a subject.
When it matters: When you like shooting details, food, flowers, or products from a very short distance.

Importance: MEDIUM

0.3 m
Sigma 35mm F 1 4 DG HSM Art focuses as close as 0.3 m, which is closer than 48.3% of camera lenses and equal to 7.9% of camera lenses.
Maximum reproduction ratio
What it is: The highest magnification the lens can achieve when focusing at its closest distance.
When it matters: When close-up magnification matters for macro work, textures, or small product details.

Importance: MEDIUM

0.192x
Sigma 35mm F 1 4 DG HSM Art reaches a reproduction ratio of 0.192x, which is higher than 45.8% of camera lenses and equal to 5% of camera lenses.
Full-time manual focus
What it is: The ability to adjust focus manually without leaving autofocus mode.
When it matters: When you want to fine-tune focus instantly without switching out of autofocus.

Importance: HIGH

yes
Sigma 35mm F 1 4 DG HSM Art supports full-time manual focus. 68.3% of camera lenses support full-time manual focus.
Internal focusing
What it is: A focusing design in which internal elements move while the outer barrel length stays unchanged.
When it matters: When you use polarizers, gimbals, or close-up setups that benefit from a lens that does not extend while focusing.

Importance: HIGH

yes
Sigma 35mm F 1 4 DG HSM Art supports internal focusing. 83.6% of camera lenses support internal focusing.
Rear-focusing design.
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Optical image stabilization
What it is: A hardware system that shifts optical elements to counteract camera shake and reduce blur.
When it matters: When you want steadier handheld shots and less blur, especially in low light or at longer focal lengths.

Importance: HIGH

no
Sigma 35mm F 1 4 DG HSM Art does not support optical image stabilization. 29% of camera lenses include optical image stabilization.
Stabilization effectiveness (CIPA stops)
What it is: The rated stabilizer benefit, measured in stops, under CIPA testing standards.
When it matters: When you are comparing stabilized lenses and want to know how much handheld shutter-speed advantage they offer.

Importance: HIGH

?
Weight
What it is: The total mass of the lens, affecting portability and handling balance on the camera body.
When it matters: When you carry a lens all day for travel, hiking, or event coverage and want to keep your kit manageable.

Importance: HIGH

665 g
Sigma 35mm F 1 4 DG HSM Art weighs 665 g, which is heavier than 61.9% of camera lenses.
Lens length
What it is: The physical length of the lens body from mount to front edge.
When it matters: When bag space, balance, or front clearance matters in a compact travel or video setup.

Importance: HIGH

94 mm
Sigma 35mm F 1 4 DG HSM Art is 94 mm long, which is longer than 51.7% of camera lenses and equal to the length of 0.2% of camera lenses.
Lens diameter
What it is: The widest outer diameter of the lens barrel.
When it matters: When grip comfort, filter size, or fit inside a tight camera bag matters to you.

Importance: MEDIUM

77 mm
Sigma 35mm F 1 4 DG HSM Art has a diameter of 77 mm, which is slimmer than 49.6% of camera lenses and equal to that of 0.9% of camera lenses.
Weather sealing (splashproof)
What it is: Protective sealing intended to resist splashes, dust, and light environmental exposure.
When it matters: When you often shoot outdoors in light rain, dust, or changing conditions.

Importance: HIGH

no
Sigma 35mm F 1 4 DG HSM Art does not support weather sealing. 50.3% of camera lenses support weather sealing.
Metal mount
What it is: A lens mount made of metal rather than plastic for greater durability at the camera connection point.
When it matters: When durability matters because you change lenses often or use heavier gear for work.

Importance: HIGH

?
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DxOMark overall score
What it is: The combined DxOMark lens rating based on lab-tested optical performance.
When it matters: When you want a quick lab-based summary of overall optical performance before comparing lenses in detail.

Importance: HIGH

39
Sigma 35mm F 1 4 DG HSM Art has a DxOMark overall score of 39, which is higher than that of 84.3% of camera lenses and equal to that of 4.6% of camera lenses.
DxOMark sharpness score
What it is: The DxOMark subscore that reflects how much detail the lens can resolve across the frame.
When it matters: When fine detail matters for landscapes, product work, or high-resolution cameras.

Importance: HIGH

?
DxOMark transmission
What it is: The measured light transmission of the lens, expressed as T-stop rather than nominal f-number.
When it matters: When real light loss matters for exposure consistency in studio, cinema, or mixed-lens shoots.

Importance: MEDIUM

?
DxOMark distortion
What it is: The DxOMark metric that measures how much the lens bends straight lines away from their true shape.
When it matters: When straight lines matter in architecture, interiors, copy work, or product photography.

Importance: MEDIUM

?
DxOMark vignetting
What it is: The DxOMark measurement of corner darkening relative to the center of the image.
When it matters: When even corner brightness matters for skies, studio backdrops, or clean product shots.

Importance: MEDIUM

?
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Sigma 35mm F 1 4 DG HSM Art vs the average camera lens

  • 1.4 lower f-number at telephoto end
    Sigma 35mm F 1 4 DG HSM Art has a brighter maximum telephoto aperture than the average camera lens (f/1.4 vs f/2.8). The average lens has a maximum telephoto aperture of f/2.8.
    What it is: The widest aperture available at the long end of the zoom range, affecting light intake and background blur.
    When it matters: When you shoot at the long end in low light or want stronger background blur for portraits and sports.

    Importance: HIGH

    Sigma 35mm F 1 4 DG HSM Art has a brighter maximum telephoto aperture than the average camera lens (f/1.4 vs f/2.8). The average lens has a maximum telephoto aperture of f/2.8.1.4 vs 2.8
  • Has focus distance scale
    Sigma 35mm F 1 4 DG HSM Art has a focus distance scale, the average camera lens does not. 48.6% of camera lenses include a focus distance scale.
    What it is: A marked scale that shows the approximate focus distance set on the lens.
    When it matters: When you pre-focus manually for street, zone focusing, or repeatable tripod setups.

    Importance: MEDIUM

    Sigma 35mm F 1 4 DG HSM Art has a focus distance scale, the average camera lens does not. 48.6% of camera lenses include a focus distance scale.
  • 13 points higher DxOMark score
    Sigma 35mm F 1 4 DG HSM Art has a higher DxOMark overall score than the average camera lens (39 vs 26). The average lens has a DxOMark overall score of 26.
    What it is: The combined DxOMark lens rating based on lab-tested optical performance.
    When it matters: When you want a quick lab-based summary of overall optical performance before comparing lenses in detail.

    Importance: HIGH

    Sigma 35mm F 1 4 DG HSM Art has a higher DxOMark overall score than the average camera lens (39 vs 26). The average lens has a DxOMark overall score of 26.39 vs 26
  • 3 more low-dispersion elements
    Sigma 35mm F 1 4 DG HSM Art has more low-dispersion elements than the average camera lens (5 vs 2). The average lens has 2 low-dispersion elements.
    What it is: Optical elements designed to reduce color fringing by controlling how different wavelengths focus.
    When it matters: When you want cleaner edges and less color fringing in high-contrast scenes.

    Importance: MEDIUM

    Sigma 35mm F 1 4 DG HSM Art has more low-dispersion elements than the average camera lens (5 vs 2). The average lens has 2 low-dispersion elements.5 vs 2
  • 2.5 µm lower chromatic aberration
    Sigma 35mm F 1 4 DG HSM Art has a lower chromatic aberration than the average camera lens (6 µm vs 8.5 µm). The average lens has chromatic aberration of 8.5 µm.
    What it is: The DxOMark metric that quantifies unwanted color fringing caused by different wavelengths focusing unevenly.
    When it matters: When you want to avoid color fringing on high-contrast edges in backlit scenes or detailed subjects.

    Importance: MEDIUM

    Sigma 35mm F 1 4 DG HSM Art has a lower chromatic aberration than the average camera lens (6 µm vs 8.5 µm). The average lens has chromatic aberration of 8.5 µm.6 µm vs 8.5 µm
  • 1.4 lower f-number at telephoto end
    Sigma 35mm F 1 4 DG HSM Art has a brighter maximum telephoto aperture than the average camera lens (f/1.4 vs f/2.8). The average lens has a maximum telephoto aperture of f/2.8.
  • 3 more low-dispersion elements
    Sigma 35mm F 1 4 DG HSM Art has more low-dispersion elements than the average camera lens (5 vs 2). The average lens has 2 low-dispersion elements.
  • Has focus distance scale
    Sigma 35mm F 1 4 DG HSM Art has a focus distance scale, the average camera lens does not. 48.6% of camera lenses include a focus distance scale.
  • 13 points higher DxOMark score
    Sigma 35mm F 1 4 DG HSM Art has a higher DxOMark overall score than the average camera lens (39 vs 26). The average lens has a DxOMark overall score of 26.
  • 2.5 µm lower chromatic aberration
    Sigma 35mm F 1 4 DG HSM Art has a lower chromatic aberration than the average camera lens (6 µm vs 8.5 µm). The average lens has chromatic aberration of 8.5 µm.
  • Not weather-sealed
    Sigma 35mm F 1 4 DG HSM Art does not support weather sealing, the average camera lens does. 50.3% of camera lenses support weather sealing.
  • 139.6 g heavier
    Sigma 35mm F 1 4 DG HSM Art is heavier than the average camera lens (665 g vs 525.4 g). The average lens weighs 525.4 g.
  • Older release date
    Sigma 35mm F 1 4 DG HSM Art was released earlier than the average camera lens.
  • Not weather-sealed
    Sigma 35mm F 1 4 DG HSM Art does not support weather sealing, the average camera lens does. 50.3% of camera lenses support weather sealing.
    What it is: Protective sealing intended to resist splashes, dust, and light environmental exposure.
    When it matters: When you often shoot outdoors in light rain, dust, or changing conditions.

    Importance: HIGH

    Sigma 35mm F 1 4 DG HSM Art does not support weather sealing, the average camera lens does. 50.3% of camera lenses support weather sealing.
  • 139.6 g heavier
    Sigma 35mm F 1 4 DG HSM Art is heavier than the average camera lens (665 g vs 525.4 g). The average lens weighs 525.4 g.
    What it is: The total mass of the lens, affecting portability and handling balance on the camera body.
    When it matters: When you carry a lens all day for travel, hiking, or event coverage and want to keep your kit manageable.

    Importance: HIGH

    Sigma 35mm F 1 4 DG HSM Art is heavier than the average camera lens (665 g vs 525.4 g). The average lens weighs 525.4 g.665 g vs 525.4 g
  • Older release date
    Sigma 35mm F 1 4 DG HSM Art was released earlier than the average camera lens.
    What it is: The date when the lens model was first officially introduced.
    When it matters: When you prefer a newer optical design with more modern autofocus, coatings, or stabilization features.

    Importance: LOW

    Sigma 35mm F 1 4 DG HSM Art was released earlier than the average camera lens.2012 vs 2016
  • 6.38x less popular
    Sigma 35mm F 1 4 DG HSM Art is less popular than the average camera lens (1.00 vs 6.383).
    What it is: An indicator based on the number of reviews received by the camera lens.
    When it matters: When you want to see which camera lenses attract the most buyer attention and review activity.
    Sigma 35mm F 1 4 DG HSM Art is less popular than the average camera lens (1.00 vs 6.383).1 vs 6.38
  • 3% worse value for money
    Sigma 35mm F 1 4 DG HSM Art has a worse value-for-money score than the average camera lens (7.13 vs 7.346).
    What it is: An indicator that combines the camera lens's overall rating with its cost.
    When it matters: When you want to know how much overall quality you get for the price.
    Sigma 35mm F 1 4 DG HSM Art has a worse value-for-money score than the average camera lens (7.13 vs 7.346).7.13 vs 7.35

Graphic comparison of Sigma 35mm F 1 4 DG HSM Art and

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Third-party reviews

What customers like about Sigma 35mm F 1 4 DG HSM Art?

  • Superb optical quality and groundbreaking resolution, even when shot wide open at f/1.4
  • Solid and luxurious build quality featuring an all-metal barrel and brass bayonet mount
  • Fast, quiet, and accurate Hyper Sonic Motor (HSM) autofocus system
  • Excellent value for money, often priced significantly lower than brand-name equivalents from Canon or Nikon
  • Effective low-light performance due to the bright f/1.4 maximum aperture
  • Produces pleasing bokeh and a cinematic shallow depth of field

What customers dislike about Sigma 35mm F 1 4 DG HSM Art?

  • Lacks official weather and dust sealing, making it less ideal for harsh conditions
  • Noticeable vignetting and some chromatic aberration when shooting wide open
  • Considered heavy and bulky by many users compared to slower f/1.8 alternatives
  • Autofocus performance can occasionally be inconsistent or requires fine-tuning with a USB dock
  • Lacks built-in optical image stabilization

Expert reviews

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dpreview.com
21/12/2012
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photographylife.com
03/07/2020
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digital-photography-school.com
01/09/2015
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dustinabbott.net
13/01/2016
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M
medium.com
28/04/2015
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A
adamrhodesphotography.co.uk
21/08/2023
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D
digitalkamera.de
15/07/2015
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P
photoklub.com
28/04/2017
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L
lesnumeriques.com
30/10/2018
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M
marc-charbonnier.fr
04/06/2014
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0
01net.com
23/12/2015
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D
digitalcamaralens.com
11/12/2017
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F
fotografiaflash.com
17/09/2020
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N
nadir.it
12/2012
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nikonland.it
02/06/2014
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F
fotografiaprofessionale.it
27/04/2013
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R
rcefoto.com
Unknown
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D
digifotopro.nl
26/12/2012
Summary of the review

Video reviews

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