Sigma 14 24mm F 2 8 DG HSM Art Review | 54 Data compared

The Sigma 14-24mm f/2.8 DG HSM Art lens is highlighted as a high-performance, solidly built ultra-wide-angle zoom, offering exceptional image sharpness and effective control over flare and aberrations at an attractive price point compared to competitors. Key pros include a robust design with weather sealing, a front lens coating for maintenance, and a constant f/2.8 aperture ideal for low-light scenarios. Notable cons include the lens’s significant weight, the inability to use standard screw-in filters due to the bulbous front element, and inconsistent autofocus performance out of the box. As a result, the review recommends using the Sigma USB Dock for calibration.

The Sigma 14-24mm f/2.8 DG HSM ART lens is a highly durable, professional-grade wide-angle zoom that delivers exceptional optical performance, undercutting rivals from Canon and Nikon in price. A major standout feature is its native compatibility with Canon’s in-camera Lens Aberration Correction, which seamlessly removes distortion and vignette from JPEGs. Optically, the lens provides outstanding sharpness, crisp contrast, and excellent flare resistance across the frame, easily outperforming the Tamron 15-30mm f/2.8 along the edges. It also features robust, upgraded weather sealing at multiple connection points, making it a reliable companion for landscape and event photographers. However, the lens is not without compromises. It is exceptionally big and heavy, weighing in at a hefty 1,150 grams and causing a slightly front-heavy balance on standard bodies. It also displays pronounced barrel distortion at close-to-medium focus distances, which falls short of the market hyperbole of "zero distortion" and makes it less ideal for real estate or interior work compared to the Sigma 12-24mm f/4 ART. Furthermore, when used on Sony mirrorless bodies via the MC-11 adapter, the autofocus system can occasionally pulse, and...

The Sigma 14-24mm f2.8 Art is a highly recommended ultra-wide angle zoom lens designed for full-frame Canon, Nikon, and Sigma DSLRs, which can also adapt to Sony E-mount bodies using the MC-11 converter. Tested on a high-resolution Nikon D850, the lens delivers exceptionally sharp and virtually undistorted images (boasting minimal distortion at 1% or less), backed by a swift, quiet Hyper Sonic Motor (HSM) autofocus system and minimal focus breathing during video recording. It stands out for its robust construction, featuring thorough weather-sealing, a rubber lens-mount grommet, a fluorine front coating to repel dirt, and a unique mount-conversion service offered by Sigma. However, the reviewer notes several downsides, starting with its bulky, heavy build (1122g) and a bulbous front element that entirely lacks a standard filter thread, requiring costly third-party mounting systems for filtration. Optically, users must stop down on the 14mm short end to mitigate astigmatism and field curvature. Handling is slightly compromised by a stiff zoom ring placed close to the camera body, a non-removable built-in petal hood that complicates cleaning, and a front lens cap that does...

The Sigma 14-24mm f/2.8 DG HSM Art lens delivers exceptional, professional-grade image quality with a perfect 10/10 sharpness rating that excels on 50MP sensors, offering particularly crisp details at 24mm. Its standout achievement is its flawless 10/10 distortion control, which completely eliminates the typical horizon bowing found in ultra-wide lenses. Built with a highly durable, weather-sealed chassis, it expands creative storytelling by effortlessly capturing wide landscapes or dramatic leading lines. Additionally, it provides a highly competitive price point, costing $800 less than Canon's 16-35mm and $400 less than Nikon's 14-24mm equivalent. However, the lens has notable drawbacks regarding practicality, scoring a 7/10 due to its massive, heavy build and relatively slow autofocus system. A major flaw for outdoor photographers is the bulging front element and fixed hood, which completely prevents the use of standard threaded filters like circular polarizers or ND filters without a separate, cumbersome adapter system. It also experiences some noticeable vignetting at 14mm f/2.8 and closer focus distances, though this can be naturally corrected in post-processing. Ultimately, it is an easy recommendation for professionals who need an...

The Sigma 14-24mm f/2.8 DG Art series lens earns an overall 9 out of 10 rating from reviewer Ian Johnson for its exceptional build quality, fast autofocus, and great versatility as a landscape, portrait, and astrophotography tool. Testing the lens on Nikon D800 and D810 bodies, Johnson highlights its robust all-metal construction, dust and splash resistance, and seamless focus/zoom rings as top features. Its performance strengths include an ultra-quiet Hyper Sonic Motor (HSM) for fast, accurate autofocusing and an incredibly useful 10-inch close minimum focusing distance that allows photographers to seamlessly highlight foreground elements. Image sharpness is excellent across the board, proving especially crisp from edge to edge when stopped down to f/8 and f/16. However, the lens does come with noticeable drawbacks, including a prominent lack of sharpness and noticeable softness when shot wide open at its maximum f/2.8 aperture. Its massive size and heavy weight (approx. 40oz / 1,150g) also present a challenge for photographers seeking a lightweight, compact travel kit. Additionally, its aspherical dome-shaped glass element makes it impossible to use standard screw-on polarizers or ND filters,...

The Shutterbug review of the Sigma 14-24mm f/2.8 DG HSM Art lens highlights its exceptional build and mechanical design, featuring a solid, weather-sealed construction with a quiet, rapid HSM autofocus. The lens is praised for producing high-quality images with excellent flare control, while its primary disadvantages include significant weight, lack of optical stabilization (OS), and inability to use traditional front filters.

The PCMag review for the Sigma 14-24mm F2.8 DG HSM Art highlights the lens as an exceptionally sharp and ruggedly built optical tool, offering a bright constant f/2.8 aperture and durable, weather-sealed construction suitable for landscapes and architecture. While praised for its performance, the lens is noted for strong vignetting at f/2.8, significant barrel distortion, and the inability to use standard screw-in front filters, with the rear gel filter holder limited to the Canon EF version.

The Sigma 14-24mm F2.8 DG HSM ART is a high-performance ultra-wide-angle zoom lens designed for professional-grade astrophotography and landscape work, offering a rectilinear image with virtually no barrel distortion. Built with a robust brass mount and weather-sealed rubber grommets, this 2.65 lb lens is praised for its exceptional build quality and internal stiffness that prevents "lens creep" when pointed skyward. While it lacks image stabilization and features a protruding front element that prevents the use of standard screw-on filters, its optical performance is stellar, delivering sharp, high-contrast images from corner to corner with well-managed coma and chromatic aberration even at its widest f/2.8 aperture. The review highlights several pros, including its extreme compositional flexibility due to the zoom range, spectacular image quality, and a dampened focus ring ideal for precise manual adjustments. However, cons include its significant weight, a small amount of wide-open chromatic aberration, and a "draggy" autofocus system that may not suit sports photography. At approximately $1,300, it is noted as a strong value compared to first-party competitors, though the reviewer mentions it faces stiff internal competition from...

The Have Camera Will Travel review praises the Sigma 14-24mm f/2.8 DG HSM Art lens as a high-performance, versatile tool for, offering exceptional edge-to-edge sharpness and minimal optical flaws. Key advantages include effective control over flare, distortion, and chromatic aberration, paired with fast autofocus. Have However, the lens requires handling adjustments due to a misleading, non-functional textured section on the barrel, and its weight may be a factor for some users. Additionally, the bulbous front element and fixed lens hood prevent the use of standard screw-on filters, which is a key limitation for some photographers.

The Sigma 14-24mm f/2.8 DG HSM Art is an ultra-wide zoom praised by Imaging Resource for its exceptional sharpness, robust weather-sealed construction, and fast, quiet autofocus. It delivers high-resolution images with minimal distortion and chromatic aberration, making it ideal for landscape and architectural photography. Key advantages include its superior edge-to-edge sharpness and constant f/2.8 aperture, though the lens is noted for being heavy (approx. 1,150g). Drawbacks identified in the review include the lack of image stabilization, a slight sharpness drop-off at 24mm, and a bulbous front element that prevents the use of standard filters.

The Sigma 14-24mm f/2.8 DG HSM Art is a highly durable, full-frame wide-angle zoom lens designed for Canon EF and Nikon F mounts that delivers exceptional image sharpness from the center to the edges. Built with a robust, fully weather-sealed body, it features responsive focus and zoom rings, a 9-blade iris that creates smooth, round bokeh, and a tight minimum focusing distance of 10.24 inches (26 cm) for dramatic close-ups. The lens is heavily engineered to eliminate lens flares entirely. Priced at $1,249, it matches or outperforms rival lenses from Sony, Canon, and Nikon while costing anywhere from $600 to $900 less, making it an incredibly high-value option for narrative and documentary filmmakers alike. However, the lens has notable drawbacks, most significantly its massive weight of 1,150 grams (40.57 oz), making it the heaviest wide-angle f/2.8 zoom lens in its category. It also lacks a filter thread, forcing video creators to use a matte box to hold neutral density (ND) filters outdoors. Optically, the reviewer noted very slight barrel distortion at the 14mm edges at infinity focus, focus breathing when...