Nikon AF-S DX NIKKOR 10 24mm F 3 5 4 5G ED Review | 54 Data compared

The Nikon Nikkor AF-S DX 10-24 mm f/3.5-4.5G ED was launched in June 2009 alongside the D5000 camera to compete against affordable third-party ultra-wide lenses and Canon’s established 10-22 mm model. It serves as a wider, slightly more affordable alternative to Nikon's older, premium 12-24 mm f/4.0 lens, which suffered commercially due to a high price point and average picture quality. This 10-24 mm model targets APS-C (DX) format users who require an expanded wide-angle field of view. The primary pros of the lens include its expanded, highly versatile focal length range and a price point that is more competitive than its predecessor. However, the main con highlighted in the review is the delicate market position it holds; Nikon risked undercutting its own expensive 12-24 mm lens while still facing stiff competition from cheaper alternative options by Sigma, Tokina, and Tamron.

written by Jon Tarrant: The What Digital Camera Review by Jon Tarrant outlines that the Nikon AF-S 10-24mm f/3.5-4.5G ED DX lens serves as a distinct alternative to the older 12-24mm f/4 model rather than a direct upgrade. Optically, it provides a broader, highly compatible ultra-wide focal range tailored specifically for DX-format sensors. A major benefit is its internal focusing motor, allowing full autofocus capabilities even on entry-level camera bodies like the D40 and D60. Furthermore, real-world testing proved successful by eliminating the random softness that previously hindered the 12-24mm lens sample. Despite these strengths, the reviewer notes several downsides related to build quality and physical behavior. Unlike its internal-zooming predecessor, this model features a barrel that visibly extends and contracts during zooming. Because production shifted from Japan to China, Nikon acknowledged the overall image and build quality are only "almost equivalent" to the previous version. Additionally, technical tests show that it is slightly weaker than its fixed-aperture stable-mate, and users must manage a variable f/3.5-4.5 maximum aperture. Lastly, photographers using the camera's pop-up flash must remove the supplied lens...

The Popular Photography review highlights the Nikon 10-24mm f/3.5-4.5G ED DX AF-S as a highly capable ultrawide zoom lens engineered for DX-format bodies, offering a versatile full-frame equivalent focal range of 15-36mm. A standout pro is its exceptional close-focusing capacity, featuring an impressive 1:4.1 maximum magnification ratio at 24mm from a distance of just 8.83 inches, which allows photographers to dramatically emphasize close-up foreground elements against expansive backgrounds. Additional pros include an incredibly fast and quiet autofocus system, impeccably smooth manual focus and zoom rings, and high-quality Extra-low Dispersion (ED) and aspherical glass elements that ensure sharp, high-contrast imagery. On the downside, a notable con is the lens's physical size; weighing slightly over a pound, it is large enough to cast a visible shadow when paired with a camera's built-in flash at most focal lengths. Optical cons involve its handling of distortion and light falloff, which the review notes are merely average compared to modern digital ultrawides. Specifically, it displays a distinct 0.43% visible barrel distortion at 10mm—underperforming compared to competitors like Tamron—and exhibits slight pincushion distortion at its longer...

in english language, be very specific, mention pros and cons inside You sent: 1 tab and said: 2 paragraphs summary of this review in english language, be very specific, mention pros and cons inside A wide-angle, yes, but which one? (Part 2) - DXOMARK 2 paragraphs summary of this review in english language, be very specific, mention pros and cons inside

The Nikon AF-S DX 10-24mm f/3.5-4.5G ED is a lightweight, ultra-wide zoom lens designed specifically for Nikon DX-format (APS-C) cameras, offering a dramatic field of view equivalent to 15-36mm on a full-frame camera. Built with high-quality plastics, this 460-gram lens features an internal focusing system so the barrel length does not change, alongside a Silent Wave Motor (SWM) that ensures fast, quiet autofocus even on entry-level camera bodies. In terms of performance, the lens delivers excellent sharpness in the center of the image, relatively low vignetting (dark corners) for a wide-angle lens, and a seven-blade rounded diaphragm that produces smooth out-of-focus areas. While uncorrected RAW files show a -5% barrel distortion at 10mm, this is almost entirely eliminated automatically when shooting in-camera JPEG files. However, the review highlights a few notable drawbacks. The most significant optical downside is poor corner resolution and noticeable softness in the edges, especially when shooting wide open at the 10mm focal length. Additionally, the lens does not feature Vibration Reduction (image stabilization), and its plastic build feels less solid compared to competitors like Tokina. It...

The Nikon AF-S DX Nikkor 10-24mm f/3.5-4.5G ED is an ultra-wide zoom lens designed for Nikon's APS-C (DX) D-SLR camera system, providing a 15-36mm equivalent field of view in 35mm photography. Priced at $1,080, it offers excellent center sharpness, recording 1,897 lines at 10mm f/3.5 with a tack-sharp center reaching 2,342 lines. The build quality is robust, featuring a solid polycarbonate barrel, a metal lens mount, and rubberized rings for zooming and manual focus. The front element handles 77mm filters without rotation during operation, making it friendly for circular polarizers. However, the lens lacks built-in image stabilization and is relatively squat and heavy, weighing just over a pound. The core advantages of this lens are its expansive, dramatic field of view, its useful 2.4x zoom ratio, and its outstanding central image resolution. On the downside, it suffers from weak edge sharpness at wider apertures; for example, the outer edges drop to a blurry 660 lines at 10mm f/3.5 and 930 lines at 24mm f/4.5. Photographers must stop down the aperture to f/8 to achieve uniform, edge-to-edge sharpness across the frame....

The Photocrati review by Jack Neubart concludes with a highly positive "Buy it" verdict for the Nikon AF-S DX Zoom-Nikkor 10-24mm f/3.5-4.5G ED lens, praising its real-world performance as a versatile ultra-wide choice for APS-C (DX-format) sensor cameras. Delivering a 15-36mm equivalent focal length field of view, the lens is lauded for its compact and lightweight design, highly efficient internal focusing that prevents 77mm circular polarizers from shifting, and an integrated Silent Wave Motor for rapid autofocusing with manual override. Performance pros include a useful 109-degree field of view that lacks the extreme fish-eye distortion, a close-focus limit of 0.8 feet for dramatic close-up perspectives, very well-controlled vignetting, and exceptional edge-to-edge sharpness when stopped down slightly. Despite its versatility, the reviewer identifies several optical and structural compromises built into the glass. Key cons include the complete omission of Vibration Reduction (VR), making low-light photography challenging, and a variable maximum aperture (f/3.5-4.5) instead of a fixed one. Furthermore, notable edge sharpness falloff occurs at wide-open apertures, and a mild level of lateral chromatic aberration (color fringing) alongside visible barrel distortion is...

The Nikon 10-24mm f/3.5-4.5G ED is highlighted as a top-performing ultrawide zoom for DX-format cameras, offering excellent sharpness, good resistance to flare, and quiet, fast autofocus with instant manual override. It provides a versatile zoom range and can even be used on FX cameras at longer focal lengths. Ken Rockwell However, the lens is noted for its lightweight, plastic construction that feels less durable than earlier models. Additionally, it suffers from noticeable geometric distortion at 10mm and is primarily restricted to DX-format cameras.

The Photozone / OpticalLimits Review highlights the Nikkor AF-S DX 10-24mm f/3.5-4.5G ED as a more affordable, wider-reaching alternative to Nikon’s older 12-24mm f/4 ultra-wide zoom lens. Mechanically, the lens offers high-quality plastic construction with smooth focus and zoom rings. A major strength is its fast, silent, and reliable Silent Wave Drive (AF-S) autofocus system, ensuring full compatibility with entry-level Nikon DSLRs lacking internal AF motors. Additional operational benefits include a solid, wobble-free moving inner tube that slightly extends when zooming, and a non-rotating front element that permits trouble-free use of polarizers. Optically, the lens exhibits surprisingly moderate vignetting for its ultra-wide nature, suffering only a manageable one-stop penalty when shot wide open. On the downside, the lens is compromised by a variable maximum aperture of f/3.5-4.5, a downgrade from the constant f/4 aperture of its premium predecessor. Cost is another notable negative; despite being positioned as a cheaper option, its original launch price of around 750 EUR keeps it far from being considered cheap or budget-friendly. Additionally, because it is a G type lens, it completely lacks a physical...

The PCMag review written by Jim Fisher gives the Nikon AF-S DX Nikkor 10-24mm f/3.5-4.5G ED lens a "Good" rating of 3.5 out of 5 stars, highlighting it as a specialized tool for ultra-wide perspective enthusiasts. On the positive side, the lens boasts an impressive ultra-wide field of view (equivalent to 15-36mm in 35mm photography) and a practical 2.4x zoom ratio. It is praised for its excellent center sharpness, scoring well over the required 1,800 lines in lab testing. Additionally, the build quality is highly solid, featuring a metal lens mount, a tough polycarbonate barrel, and an internal focusing design that ensures the front element does not rotate, making it seamlessly compatible with 77mm circular polarizing filters. However, the review outlines several significant drawbacks, noting that the lens is quite pricey at an MSRP of $1,080, making it hard to justify for casual shooters. Mechanically, it lacks built-in image stabilization, which is standard for this focal range but still a limitation. Optically, the image quality heavily suffers at the edges of the frame when shooting wide open; at 10mm f/3.5,...